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Fine Art Print : Design for an Altarpiece with a Figure of St. Sebastian, 1741

Design for an Altarpiece with a Figure of St. Sebastian, 1741



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Design for an Altarpiece with a Figure of St. Sebastian, 1741

Heritage Images features heritage image collections

Media ID 20134626

© /Heritage Images

Altarpiece Architectural Drawing Martyr Martyrdom St Sebastian Joseph Anton


21"x14" (+3" Border) Fine Art Print

Experience the captivating beauty and intricate detail of Joseph Anton Feuchtmayer's Design for an Altarpiece with a Figure of St. Sebastian, 1741. This exquisite fine art print, sourced from Heritage Images, showcases the masterful craftsmanship of the renowned German painter. Feuchtmayer's St. Sebastian is depicted in a moment of quiet contemplation, surrounded by lush foliage and intricate architectural elements. Each print is meticulously produced using the highest quality materials, ensuring vibrant colors and stunning detail that bring the art to life. Add this timeless masterpiece to your home or office collection and elevate your space with the beauty and elegance of Fine Art Prints from Media Storehouse.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > Germany

> Architecture > Drawings

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Arts > Watercolor paintings

> Europe > Germany > Posters


EDITORS COMMENTS
This print showcases Joseph Anton Feuchtmayer's "Design for an Altarpiece with a Figure of St. Sebastian, 1741". Created during the baroque era in Germany, this stunning piece beautifully captures the essence of Christian art and architecture. The image depicts an architectural drawing of an altarpiece dedicated to St. Sebastian, a revered martyr in Christianity. The vibrant colors and intricate details bring life to this eighteenth-century masterpiece. Feuchtmayer's skillful use of watercolor adds depth and richness to the composition. As we delve into the artwork, we are transported back in time to a grand church setting where this altarpiece would have stood proudly as a symbol of devotion and faith. Its presence would have undoubtedly inspired worshippers with its religious significance. Featuring St. Sebastian as the central figure, this altarpiece serves as a reminder of his martyrdom and unwavering commitment to his beliefs. The artist expertly captures both the physical pain endured by St. Sebastian through his depiction of wounds inflicted upon him, as well as his spiritual strength shining through his serene expression. Preserved at The Metropolitan Museum of Art (The Met), this heritage art piece stands as a testament to Feuchtmayer's artistic prowess and enduring legacy within German baroque art history. It invites us to reflect on our own spirituality while appreciating the beauty that can be found within religious art forms throughout centuries past.

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