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Fine Art Print : Grande Pagode Porte Ouest de la 1ere enceinte, 1866. Creator: Emile Gsell

Grande Pagode Porte Ouest de la 1ere enceinte, 1866. Creator: Emile Gsell



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Grande Pagode Porte Ouest de la 1ere enceinte, 1866. Creator: Emile Gsell

Grande Pagode Porte Ouest de la 1ere enceinte, 1866

Heritage Images features heritage image collections

Media ID 20167725

© Heritage Art/Heritage Images

Angkor Wat Archaeological Cambodia Cambodian Emile Emile Gsell Enclosure Gate Gsell Gsell Emile Khmer Overgrown Pagoda Southeast Asia West Western Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Experience the timeless beauty of Emile Gsell's Grande Pagode Porte Ouest de la 1ere enceinte, 1866, now available as a Fine Art Print from Media Storehouse. This exquisite photograph, captured by the renowned French photographer Emile Gsell in 1866, showcases the stunning Grande Pagode, or Great Pagoda, located in the ancient city of Angkor, Cambodia. The intricate details of the pagoda's architecture are brought to life in this beautiful print, transporting you to a world of history and culture. Add this masterpiece to your home or office to inspire and delight, and make a statement with this unique and captivating work of art.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 36.8cm (20" x 14.5")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Western Mouse

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Architecture > Temples

> Arts > Artists > C > Cambodian Cambodian

> Arts > Contemporary art > Photography > Landscape photography

> Asia > Cambodia > Cambodia Heritage Sites > Angkor

> Asia > Cambodia > Related Images

> Historic > Monuments and landmarks


Grande Pagode Porte Ouest de la 1ere enceinte, 1866 - A Glimpse into Cambodia's Ancient Majesty

EDITORS COMMENTS
. This print by Emile Gsell takes us back to the enchanting world of 19th-century Cambodia. The image showcases the Grande Pagode Porte Ouest de la 1ere enceinte, a magnificent entrance gate standing proudly at Angkor Wat, one of Southeast Asia's most renowned archaeological sites. Gsell's meticulous composition captures the grandeur of this architectural marvel with striking clarity. The overgrown vegetation surrounding the ruins adds an air of mystery and timelessness to the scene. As we gaze upon this hauntingly beautiful sight, we are transported to a bygone era when Khmer civilization flourished. The photograph not only highlights the artistic prowess of Emile Gsell but also serves as a testament to his dedication in documenting historical heritage. His lens immortalizes this religious monument that stands as a symbol of Cambodian culture and spirituality. Today, housed within The Metropolitan Museum of Art's collection, this albumen silver print continues to mesmerize viewers with its evocative power. It invites us on a visual journey through time, allowing us to appreciate both the beauty and fragility of our shared human history. As we contemplate this remarkable image captured by Emile Gsell over a century ago, it reminds us that even in ruins lie stories waiting to be discovered – stories that connect us across borders

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