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Fine Art Print : A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth

A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth



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A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth

A Rakes Progress - 2: The Levee, 1733. Tom holds a morning reception at his new palatial town lodgings. Vistors offer their services: a jockey, a dancing-master (with violin), a landscape gardener (holding a plan), identified as Charles Bridgeman, a poet, a tailor, and a musician (seated at the harpsichord), believed to be Hogarths great rival, Handel. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

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Media ID 14931235

© The Print Collector

A Rakes Progress Austin Dobson Composer Dance Teacher Dobson Fortune Garden Design Garden Designer Georg Friedrich Handel George Frederick Handel George Frideric George Frideric Handel Georgian Handel Harpsichord Henry Austin Henry Austin Dobson Hogarth Jockey Morality Offering Personality Pianist Piano Piano Player Rake Service Sports Sportsman Sportsmen Tom Rakewell W Hogarth Wealth Wealthy William Hogarth Bridgeman Charles Bridgeman Interior Design Metaphor Pastime Satirical


20"x16" (+3" Border) Fine Art Print

Experience the captivating world of 18th-century debauchery with our exquisite fine art print of "A Rakes Progress - 2: The Levee, 1733" by William Hogarth, available in our Media Storehouse collection. Witness Tom's extravagant town lodgings as he holds a morning reception, surrounded by visitors eager to offer their services, including a jockey and a dancing-master. This stunning print, brought to you by Heritage Images, transports you back in time, making it a perfect addition to any home or office space. Immerse yourself in the intrigue and indulgence of Hogarth's masterpiece.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 49.3cm x 40.6cm (19.4" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > William Charles

> Arts > Artists > D > George Dance

> Arts > Artists > D > William Dobson

> Arts > Artists > H > George Frederick Handel

> Arts > Artists > H > Tom Hold

> Arts > Artists > H > William Hogarth

> Arts > Artists > Related Images

> Arts > Artists > W > Charles White

> Arts > Artists > W > George White

> Arts > Artists > W > William White


EDITORS COMMENTS
This print captures a scene from William Hogarth's famous series, "A Rake's Progress - 2: The Levee" painted in 1733. In this particular image, we witness Tom, the protagonist of the series, hosting a morning reception at his luxurious town lodgings. Surrounding him are various visitors offering their services and expertise. The composition is rich with symbolism and social commentary as each character represents a different aspect of society. A jockey symbolizes sport and leisure, while a dancing-master with his violin embodies the arts. Charles Bridgeman, an esteemed landscape gardener holding a plan, signifies the importance of garden design during that era. Notably present is George Frederick Handel himself, believed to be depicted as the musician seated at the harpsichord. This inclusion hints at Hogarth's rivalry with Handel and adds another layer of intrigue to this already complex artwork. Hogarth masterfully uses monochrome tones to create depth and highlight intricate details within the interior setting. The black-and-white aesthetic enhances the satirical nature of this piece while emphasizing its historical significance. Through this photo print, viewers are transported back to 18th century England where wealth and fortune dictated one's lifestyle. It serves as both a visual feast for art enthusiasts and an insightful glimpse into Georgian society's pastimes and occupations.

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