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Fine Art Print : A representation of September, 1757. Artist: Bernard de Montfaucon

A representation of September, 1757. Artist: Bernard de Montfaucon



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A representation of September, 1757. Artist: Bernard de Montfaucon

A representation of September, 1757. A naked man holding a lizard, and two tanks symbolize the grape harvest. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

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Media ID 14875370

© Artmedia / Heritage-Images

Bernard De Bernard De Montfaucon Grape Harvest Harvest Harvesting Lizard Magic Montfaucon Month September Spell Symbolic Tank Nakedness Print Collector4


21"x14" (+3" Border) Fine Art Print

Experience the rich history and intrigue of the past with our exquisite Fine Art Print from Bernard de Montfaucon's "Supplement au livre de L'Antiquité expliquée et représentée en figures." This stunning representation of September, 1757, showcases a man in a contemplative pose, holding a lizard, and surrounded by symbols of the grape harvest - two tanks. Montfaucon's masterful use of detail and symbolism transports you back in time, offering a captivating glimpse into the past. Add this beautiful work of art to your collection and bring history into your home.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 32cm x 53.3cm (12.6" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Reptiles > Lizards > Plated Lizards

> Arts > Artists > R > Bernard Romans

> Arts > Artists > R > Roman Roman

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Italy > Lazio > Rome

> Europe > Italy > Posters

> Europe > Italy > Related Images


EDITORS COMMENTS
This print, titled "A representation of September, 1757" by artist Bernard de Montfaucon, takes us back to the enchanting world of 18th-century Rome. In this allegorical scene, a naked man stands proudly holding a lizard in one hand while two tanks symbolize the bountiful grape harvest. The intricate engraving showcases Montfaucon's mastery in capturing both the physicality and symbolism of this month. The man's nudity represents vulnerability and purity, emphasizing his connection with nature during the harvest season. His confident stance exudes strength and confidence as he harnesses the magic of agriculture. The lizard held delicately in his hand adds an air of mystique to the composition. Lizards were often associated with transformation and regeneration in ancient Roman culture, further enhancing the symbolic depth of this artwork. Montfaucon's attention to detail is evident not only in his depiction of human anatomy but also through carefully etched lettering that accompanies the illustration. This meticulous touch adds another layer to our understanding of September's significance within Roman society. As we gaze upon this monochrome masterpiece from centuries past, we are transported to a time when people relied on their connection with nature for sustenance and survival. It serves as a reminder that even amidst modern advancements, there is still something magical about embracing our agricultural roots.

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