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Fine Art Print : Rival Rogues, 1880. Artist: Joseph Swain

Rival Rogues, 1880. Artist: Joseph Swain



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Rival Rogues, 1880. Artist: Joseph Swain

Rival Rogues, 1880. Mr Punch faces the twin candidates for the Conservative and Liberal Parties. This is in relation to the first Election Commission following the 1880 General Election which opened at Macclesfield at the beginning of October 1880. It was followed by a number of others across the country, all of which showed that both parties were equally involved in bribery and other corrupt practices during the Election. From Punch, or the London Charivari, October 16, 1880

Heritage Images features heritage image collections

Media ID 14831691

© The Print Collector / Heritage-Images

Candidate Commissioner Conservative Conservative Party Corruption Desk General Election Gown Heritage Image Partnership John Tenniel Joseph Swain Liberal Liberal Party Papers Political Event Rosette Sir John Tenniel Swain Tenniel Twin Twins


20"x16" (+3" Border) Fine Art Print

Step into the political intrigue of the past with our exquisite Rival Rogues, 1880 Fine Art Print by John Tenniel, featuring the iconic work of Joseph Swain. This captivating image, published by Heritage Images, depicts Mr. Punch, the symbol of British satire, confronting the twin candidates for the Conservative and Liberal Parties during the historic first Election Commission following the 1880 General Election. Add a touch of timeless elegance and historical significance to your home or office with this stunning fine art print.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 36.6cm x 50.8cm (14.4" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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Rival Rogues, 1880 - A Satirical Snapshot of Political Corruption in the 19th Century

EDITORS COMMENTS
. This print titled "Rival Rogues, 1880" by Joseph Swain takes us back to a pivotal moment in British political history. The image depicts Mr Punch, a popular character from the satirical magazine Punch, facing off against twin candidates representing the Conservative and Liberal Parties. The artwork is a reflection of the first Election Commission that followed the 1880 General Election. This commission opened at Macclesfield in October 1880 and revealed widespread bribery and corrupt practices within both parties during the election process. Swain's cartoonish portrayal highlights this corruption with clever symbolism. In this monochrome engraving, we see Mr Punch seated behind a desk cluttered with papers and documents—a clear representation of bureaucracy and political intrigue. The twin candidates stand before him wearing their respective party rosettes, dressed in traditional attire befitting statesmen of that era. Swain's caricature captures not only the physical resemblance between these two politicians but also their shared involvement in unethical practices. With his keen eye for satire, he exposes how both major parties were equally entangled in acts of bribery during this tumultuous period. As we gaze upon this heritage image partnership between John Tenniel and Joseph Swain, it serves as a reminder that corruption has long plagued politics throughout history. It prompts us to reflect on our own contemporary political landscape while appreciating how art can shed light on societal issues even after centuries have passed.

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