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Fine Art Print : South American textile design, 1951. Creator: Shirley Markham
Fine Art Prints from Heritage Images
South American textile design, 1951. Creator: Shirley Markham
South American textile design, 1951. Panel of Peruvian (Huacho) cotton woven as double cloth, late Chimu period (before c1470), in the Victoria & Albert Museum in London. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
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Media ID 18266161
© Shirley Markham Collection / Heritage-Images
1950s Chimu Cotton Fifties Markham Museum Of Ornamental Art Peru Peruvian Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite V And A Victoria Albert Museum Victoria And Albert Museum Waite Gouache Graphic Design
20"x16" (+3" Border) Fine Art Print
Discover the vibrant and intricate beauty of South American textile design with this stunning Fine Art Print from Media Storehouse. Featuring an exquisite panel of Peruvian cotton, woven as double cloth in the late Chimu period (before 1470), this captivating piece showcases the rich cultural heritage of South America. Created by renowned photographer Shirley Markham from Heritage Images, this Fine Art Print brings the Victoria & Albert Museum's collection right into your home, adding a touch of timeless elegance and sophistication to any decor.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.9cm x 50.8cm (14.1" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a South American textile design from 1951, created by the talented Shirley Markham. The intricate panel of Peruvian (Huacho) cotton woven as double cloth dates back to the late Chimu period, before c1470. Currently housed in the esteemed Victoria & Albert Museum in London, this piece is a testament to Markham's remarkable skill and creativity. Markham's artistic journey began at Central School of Art in London, where she studied Graphic Design and Illustration from 1950-1952 under renowned tutor Mervyn Peake. Influenced by British illustrators like Edward Ardizzone, Quentin Blake, and Edward Bawden, her distinctive style emerged. During her time in Italy's Dolomite Mountains and Rome, Markham immersed herself in sketching classical buildings that further shaped her artistic vision. After graduating from Central School of Art, she embarked on a successful career as a graphic designer producing book illustrations, comics cartoons, menus, and programmes. However promising her career may have been, societal expectations prevailed when she married in 1957. Middle-class women were expected to prioritize family life over professional pursuits during that era. Despite possessing undeniable talent for illustration, Markham lacked the confidence to return to it after marriage. For many years following her decision to step away from artistry professionally, her portfolio remained tucked away in the family attic until now. Today we are privileged to witness Shirley Markham's incredible work published here for the first time—a long-overdue recognition of an artist whose talent deserves admiration and acclaim.
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