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Fine Art Print : Surreal study, 1952. Creator: Shirley Markham
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Surreal study, 1952. Creator: Shirley Markham
Surreal study, 1952. Illustration for a poem by TS Eliot. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
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Media ID 18266143
© Shirley Markham Collection / Heritage-Images
1950s Asleep Bed Chamber Bedchamber Bedroom Chimney Chimneys Dream Dreamer Dreaming Eliot Eyes Feet Fifties Foot Markham Pipe Poem Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite Sleep Sleeping Surreal Tobacco Pipe Waite Wash
20"x16" (+3" Border) Fine Art Print
Step into the world of surreal imagination with our exquisite Fine Art Print from Media Storehouse. This captivating piece, titled "Surreal Study, 1952," is an illustration for a poem by T.S. Eliot, brought to life by the brilliant British illustrator Shirley Markham. Markham, a graduate of Central School of Art in London, masterfully captured the enigmatic essence of surrealism in this stunning work created in 1952. Add an air of whimsy and intrigue to your home or office décor with this unique and thought-provoking addition to your art collection.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 36.6cm (20" x 14.4")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This print titled "Surreal Study, 1952" by Shirley Markham takes us on a journey into the realm of imagination. Created as an illustration for a poem by TS Eliot, this piece showcases Markham's exceptional talent and unique style. Markham's artistic prowess was honed during her time at Central School of Art in London, where she studied Graphic Design and Illustration from 1950 to 1952. Under the tutelage of renowned artist Mervyn Peake and inspired by British illustrators like Edward Ardizzone, Quentin Blake, and Edward Bawden, Markham developed her own distinctive approach to drawing. Her travels in Italy left a lasting impression on her work. The Dolomite Mountains provided inspiration for her surreal landscapes while Rome offered opportunities to sketch classical buildings. These experiences undoubtedly influenced the dreamlike quality found in "Surreal Study". Despite receiving accolades for her graphic design work after graduation, Markham made the difficult decision to give up her promising career when she married in 1957. At that time, societal expectations dictated that middle-class women focus solely on raising children and managing household responsibilities. For years, Markham's remarkable portfolio remained hidden away in the family attic until now. With this publication marking its long-awaited debut, we can finally appreciate Shirley Markham's extraordinary talent as an illustrator and celebrate her contributions to the world of art.
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