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Fine Art Print : Trinity Square Car Park DP059892

Trinity Square Car Park DP059892



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Historic England

Fine Art Prints from Historic England

Trinity Square Car Park DP059892

Trinity Square Car Park, Gateshead, Tyne & Wear. The Get Carter Car Park

Historic England is the public body that champions and protects England's historic places

Media ID 15501073

© Historic England Archive

Architecture Brutalist Style Concrete Detail Modern Oblique


20"x16" (+3" Border) Fine Art Print

Discover the captivating beauty of Trinity Square Car Park in Gateshead, as captured by acclaimed photographer James O. Davies in this stunning Fine Art Print from Media Storehouse. Part of Historic England's collection, this evocative image of the iconic Get Carter Car Park transports you to the heart of Tyne & Wear's industrial past. With its rich, vibrant colors and exceptional attention to detail, this print is a must-have for art enthusiasts and history buffs alike. Bring the history and character of this unique location into your home or office and make a bold statement with this exquisite piece of photography.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > England

> Architecture > Related Images

> Europe > United Kingdom > England > Tyne and Wear > Gateshead

> Europe > United Kingdom > England > Tyne and Wear > Related Images

> Historic England > Architecture > Modern Architecture > Material, shape and design

> Historic England > Architecture > Modern Architecture > Space, Hope and Brutalism

> Historic England > Industry > Engineering and Construction > Building Car Parks


EDITORS COMMENTS
This evocative photograph captures the raw beauty and complexity of Trinity Square Car Park in Gateshead, Tyne & Wear, a prime example of Brutalist architecture designed by James O. Davies. Built in the mid-1960s, this concrete behemoth was once known as The Get Carter Car Park, named after the iconic British crime film shot on location here. The oblique angle of the photograph highlights the intricate textures and patterns of the car park's concrete surfaces, revealing a maze of geometric shapes and lines that interplay with the natural light. The brutalist style, characterized by its raw, unadorned surfaces and emphasis on functionality, is on full display here, with the car park's columns and beams forming a stark contrast against the sky. Despite its utilitarian origins, the Trinity Square Car Park has become a cherished symbol of modernist architecture in the North East of England. Its bold, unapologetic design challenges traditional notions of beauty and aesthetics, inviting viewers to appreciate the raw power and elegance of concrete as a building material. The photograph also serves as a poignant reminder of the changing landscape of Gateshead and the wider region, as the area around the car park continues to evolve and transform. The Trinity Square Car Park stands as a testament to the enduring legacy of James O. Davies and the Brutalist movement, inspiring generations of architects and designers to push the boundaries of what is possible with concrete and modernist design.

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