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Fine Art Print : The Five Wounds EMM01 / 01 / 047

The Five Wounds EMM01  /  01  /  047



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Historic England

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The Five Wounds EMM01 / 01 / 047

Tewkesbury Abbey, Gloucestershire. Watercolour, by Elsie Matley Moore, of a stained glass window dating from c.1344 in Tewkesbury Abbey, showing Christ displaying the Five Wounds. A handwritten note on the index card for this painting reads: Christ displaying the Five Wounds, the right hand showing also the gesture of utterance, most probably benediction. 1946

Historic England is the public body that champions and protects England's historic places

Media ID 14479512

© Historic England Archive

Biblical Illustration Medieval Painting Religion


20"x16" (+3" Border) Fine Art Print

Discover the captivating beauty of history with our Fine Art Print of The Five Wounds EMM01 / 01 / 047 by Elsie Matley Moore from Historic England. This exquisite watercolor painting brings to life the intricate details of a stained glass window from Tewkesbury Abbey, dating back to approximately 1344. Witness Christ's depiction of the Five Wounds, a poignant reminder of His Passion and sacrifice. Elevate your home or office with this stunning work of art, a timeless piece that tells a story of faith and history.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Aerial Photography > England

> Aerial Photography > Related Images

> Europe > United Kingdom > England > Gloucestershire > Related Images

> Europe > United Kingdom > England > Gloucestershire > Tewkesbury

> Europe > United Kingdom > England > Paintings

> Historic England > Fine Art > Biblical and mythical scenes

> Historic England > Fine Art > Medieval Art and Sculpture


EDITORS COMMENTS
This print showcases a remarkable watercolour painting by Elsie Matley Moore, depicting a stained glass window dating back to around 1344 in Tewkesbury Abbey, Gloucestershire. The focal point of the artwork is Christ, who stands majestically displaying the Five Wounds - symbols of his crucifixion. His right hand is also depicted in a gesture that likely represents benediction or blessing. Elsie Matley Moore's attention to detail and mastery of watercolours bring this medieval biblical scene to life with vibrant colors and intricate brushwork. The delicately painted stained glass window captures the essence of religious devotion prevalent during that era. The photograph highlights not only the artistic brilliance but also the historical significance of Tewkesbury Abbey as an architectural masterpiece. It serves as a testament to the enduring power of faith and spirituality throughout centuries. The handwritten note on the index card accompanying this painting further adds depth to its interpretation, shedding light on Christ's symbolic gestures and their potential meaning within religious contexts. This print offers viewers an opportunity to immerse themselves in both artistry and history simultaneously. It reminds us how visual representations have long played a crucial role in conveying profound spiritual messages across generations.

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