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Fine Art Print : The Khaki Campaign: A Surrender

The Khaki Campaign: A Surrender



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The Khaki Campaign: A Surrender

A radical carpenter is seduced by a patriotic siren during the khaki election campaign of 1900, held during the Second Boer war. The result was a victory for Lord Salisburys Conservatives and their Liberal Unionist allies. Date: 1900

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14159266

© Illustrated London News Ltd/Mary Evans

Campaign Carpenter Election Khaki Patriotic Radical Siren Surrender Vote


20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of history with Media Storehouse's Fine Art Prints from Mary Evans Prints Online. This exquisite piece, titled "The Khaki Campaign: A Surrender," transports you back in time to the electrifying atmosphere of the 1900 khaki election campaign during the Second Boer War. Witness the dramatic moment as a radical carpenter succumbs to the siren call of patriotism, embodied by an enchanting woman. Each print is meticulously reproduced to preserve the original's rich colors and intricate details, making it a stunning addition to any home or office. Bring history to life with Media Storehouse's Fine Art Prints.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 37.4cm x 50.8cm (14.7" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


The Khaki Campaign - A Surrender

EDITORS COMMENTS
is a captivating image from the historical archives of the Second Boer War in 1900. The photograph depicts a radical carpenter, deeply engrossed in thought, as he is seduced by the allure of a patriotic siren. The election campaign of 1900, also known as the "Khaki Election," was held during the height of the Boer War, and the result was a decisive victory for Lord Salisbury's Conservatives and their Liberal Unionist allies. The carpenter, dressed in workman's clothes, represents the working-class population who were traditionally supportive of the Labour Party. However, the patriotic siren, dressed in the iconic khaki uniform, symbolizes the nationalist sentiment that swept through Britain during the war. The siren's seductive gaze and outstretched hand are enough to draw the carpenter away from his political beliefs and towards the cause of the British military. The Khaki Election was significant because it was the first time that the military uniform became a symbol of patriotism and national pride. The Conservative Party capitalized on the public's support for the war effort and used the image of soldiers in khaki uniforms to rally voters to their side. The election result was a clear indication of the British public's willingness to support the war effort and the Conservative Party's ability to harness this sentiment for political gain. This photograph is a poignant reminder of the power of propaganda and the role it plays in shaping public opinion. It also highlights the complexities of political allegiances during a time of war and the impact of nationalist sentiment on the political landscape of Britain. The Khaki Campaign: A Surrender is a fascinating glimpse into the past and a testament to the enduring power of imagery in shaping history.

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