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Fine Art Print : Remains of the London Wall in St. Giles, Cripplegate

Remains of the London Wall in St. Giles, Cripplegate



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Remains of the London Wall in St. Giles, Cripplegate

Remains of the Roman London Wall in the churchyard of St. Giles, Cripplegate. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1800

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Media ID 23390688

© Florilegius

Antiquaries Antiquities Bohemia Craven Cripplegate Drury Environs Folder Giles Lane Member Mistress Sewell Simco Elizabeth Smith


20"x16" (+3" Border) Fine Art Print

Step back in time with our exquisite Fine Art Print of the Remains of the London Wall in St. Giles, Cripplegate, from the esteemed Mary Evans Picture Library. This captivating print, taken from John Thomas Smith's J.T. series, is a stunning copperplate engraving based on original drawings by members of the Society of Antiquaries. The image offers a glimpse into the rich history of London, showcasing the intriguing remains of the Roman city wall nestled within the churchyard of St. Giles. Add an air of sophistication and historical charm to your home or office with this beautiful, museum-quality print.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Architecture > Drawings

> Architecture > Related Images

> Architecture > Styles > Roman Architecture

> Arts > Artists > C > Thomas Churchyard

> Arts > Artists > R > Roman Roman

> Arts > Artists > S > John Thomas Smith

> Arts > Artists > S > Mary Smith

> Europe > United Kingdom > England > London > Related Images

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
1. Title: "The Remains of the London Wall in St. Giles, Cripplegate: A Glimpse into Roman London's Past" This evocative copperplate engraving, created by John Thomas Smith in 1800, captures the intriguing remains of the Roman London Wall hidden in the churchyard of St. Giles, Cripplegate. The image offers a fascinating glimpse into London's rich history, revealing the enduring legacy of the ancient Roman city walls that once protected this bustling metropolis. The engraving showcases the crumbling sections of the wall, which have been incorporated into the fabric of Craven House and the surrounding buildings. Drury Lane can be seen in the background, providing a sense of scale and context to the image. The wall's weathered stones, some adorned with intricate carvings, bear testament to the passage of time and the many layers of history that have shaped this site. The London Wall, a significant archaeological feature, was originally built during the late 3rd century AD to defend the Roman city from external threats. Over the centuries, the wall has undergone numerous transformations, with various additions and modifications made during the medieval and early modern periods. The presence of the London Wall in St. Giles, Cripplegate, was particularly noteworthy during the 17th century, when the area was known for its vibrant community of artisans and traders. Notable residents included William, 1st Earl of Craven, Princess Elizabeth of Bohemia, and her companion, the Countess of Rutland, who was famously known as "Mistress of the Robes" to Queen Henrietta Maria. This engraving, produced by John Thomas Smith from original drawings by members of the Society of Antiquaries, offers a unique perspective on the history and architecture of London, inviting us to explore the stories that lie hidden within its enduring walls.

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