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Fine Art Print : Cartoon, The London Mission

Cartoon, The London Mission



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Cartoon, The London Mission

Cartoon, The London Mission -- Loading the Gun at Exeter Hall. Punch mocks evangelical calls for British military intervention in Tahiti. The evangelicals were anxious to protect established missions. Date: 1844

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 20140633

© Bubblepunk

1840s 1844 Anxious Calls Established Evangelical Evangelism Intervention Mission Missions Mocks Protect Punch Tahiti


21"x14" (+3" Border) Fine Art Print

Discover the wit and satire of the past with our exquisite selection from the Media Storehouse range of Fine Art Prints. This captivating cartoon, titled "The London Mission - Loading the Gun at Exeter Hall," is a classic example from Mary Evans Prints Online. Originally published in Punch magazine in 1834, this cartoon humorously mocks the evangelical calls for British military intervention in Tahiti. Each print is meticulously reproduced with the highest quality standards, allowing you to bring a piece of historical satire into your home or office. Experience the rich history and intrigue of this iconic image and add a touch of timeless charm to your space.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 33.5cm (21" x 13.2")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Europe > United Kingdom > England > London > Related Images

> Mary Evans Prints Online > London

> Mary Evans Prints Online > New Images July 2020


EDITORS COMMENTS
This intriguing cartoon from the 1840s, titled "The London Mission: Loading the Gun at Exeter Hall," is a satirical commentary on the evangelical calls for British military intervention in Tahiti during the early Victorian era. The image, published in Punch magazine in 1844, mocks the evangelical fervor to protect established missions in the South Pacific island. The cartoon depicts a group of evangelical leaders, gathered at Exeter Hall in London, the hub of the British and Foreign Bible Society and other evangelical organizations, enthusiastically loading a gun. The caption reads, "Preparing for a Missionary Expedition to Tahiti," highlighting the irony of using military force to spread the gospel. The evangelicals were deeply concerned about the threat to their missions in Tahiti due to the French interest in the region. The French had already established a presence in Tahiti, and the British feared the potential loss of their influence and control over the island's Christian population. The cartoonist uses humor to critique the evangelical approach, suggesting that their methods were more akin to warfare than peaceful evangelism. The image also raises questions about the role of religion in British foreign policy and the potential for conflict between European powers in the colonies. The 1840s were a pivotal time in the history of British imperialism, and this cartoon provides a unique insight into the complex relationship between religion, politics, and foreign policy during this period. The London Mission: Loading the Gun at Exeter Hall remains a fascinating and thought-provoking commentary on the intersection of these themes in the 19th century.

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