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Fine Art Print : MEAN-LOOKING SOLICITOR

MEAN-LOOKING SOLICITOR



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MEAN-LOOKING SOLICITOR

A mean-looking solicitor. I grant your worship that he is a knave, sir, but yet God forbid, sir, but a knave should have some countenance. Date: 1840

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 20155875

© Bubblepunk

1840 1840s Countenance Forbid Grant Greedy Knave Lawyer Lawyers Solicitor Solicitors Worship


20"x16" (+3" Border) Fine Art Print

Introducing the latest addition to our Media Storehouse Fine Art Prints collection: A Mean-Looking Solicitor, an intriguing image from Mary Evans Prints Online. Dating back to 1840, this evocative print captures the intense gaze and stern expression of a legal professional whose demeanor is anything but inviting. With his unyielding stare and unkempt appearance, this solicitor is sure to make a statement in any setting. Add a touch of historical intrigue and character to your home or office decor with this captivating piece from our Fine Art Prints range.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this striking 1840s image from Mary Evans Prints Online, we find ourselves gazing into the unyielding eyes of a mean-looking solicitor. The solicitor, dressed in the formal attire of the time, sits with his arms crossed, his expression conveying a sense of unwavering determination and perhaps even a hint of greed. His intense gaze seems to penetrate the very soul of the viewer, leaving little room for doubt as to his intentions. The caption "Grant, your worship, that he is a knave, sir, but yet God forbid, sir, but a knave should have some countenance" adds an intriguing layer of complexity to the scene. The phrase is taken from Shakespeare's "The Merchant of Venice," and speaks to the idea that even those who may be perceived as villains or knaves should be afforded some measure of respect and dignity. Despite the solicitor's menacing appearance, the caption serves as a reminder that even those who may appear mean or unsavory are still deserving of basic human decency. This juxtaposition of the solicitor's intimidating appearance and the gentle reminder of the importance of compassion adds depth to the image and invites the viewer to consider the complexities of human nature. The solicitor's profession, as depicted in this image, is one of intense focus and determination. The long hours spent poring over legal documents and arguing cases in court would have required a great deal of mental and emotional fortitude. It is likely that the stresses of the job contributed to the development of the solicitor's mean-looking countenance, but it is also possible that this was simply the face he chose to present to the world. Regardless of the reasons behind the solicitor's appearance, this image serves as a fascinating glimpse into the past, offering a glimpse into the world of 1840s solicitors and the expectations placed upon them. It is a reminder that even the most intimidating of figures can be understood through the lens of history and context.

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