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Fine Art Print : Three weeks after marriage

Three weeks after marriage



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Three weeks after marriage

Three weeks after marriage. Print shows a man standing on the left offering portraits of new passions to George, Prince of Wales, who is seated on a sofa beneath portraits of The Perdita and The Armstead; the man tells George that The originals have been carefully tried, and are in fine order for your H--s, as for Fitz - she must put up with my Comfits, for you know, your H--s, you may have twenty such wives. George, meanwhile, holds portraits of new beauties and a list of com...able wives widows and crackt maids... Wel-e purveyor. A copy of Uncle Morgans Frolics, second edition, lies open on the sofa, a sheet variety is charming has fallen to the floor. On the right, stands Maria Fitzherbert who exclaims Confusion! have I been...-up with a mock-marriage...; at her feet, open to the title page, is Whos the Dupe.. Date 1786 April 10th. Three weeks after marriage. Print shows a man standing on the left offering portraits of new passions to George, Prince of Wales, who is seated on a sofa beneath portraits of The Perdita and The Armstead; the man tells George that The originals have been carefully tried, and are in fine order for your H--s, as for Fitz - she must put up with my Comfits, for you know, your H--s, you may have twenty such wives. George, meanwhile, holds portraits of new beauties and a list of com...able wives widows and crackt maids... Wel-e purveyor. A copy of Uncle Morgans Frolics, second edition, lies open on the sofa, a sheet variety is charming has fallen to the floor. On the right, stands Maria Fitzherbert who exclaims Confusion! have I been...-up with a mock-marriage...; at her feet, open to the title page, is Whos the Dupe.. Date 1786 April 10th

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7274291

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10600766


20"x16" (+3" Border) Fine Art Print

Experience the timeless allure of history with our exquisite Three Weeks After Marriage fine art print from Mary Evans Prints Online. This captivating Rights Managed image transports you back to the 18th century, as a man presents his new passions to a young and enamored George, Prince of Wales. Add an air of sophistication and historical charm to your home or office with this stunning addition to the Media Storehouse range of Fine Art Prints. Each print is meticulously produced using premium materials, ensuring the rich details and vibrant colors are preserved for generations to come. Elevate your space with a piece of history, order your Three Weeks After Marriage fine art print today.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 36.4cm (20" x 14.3")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


Three Weeks After Marriage

EDITORS COMMENTS
is an intriguing and scandalous print from the 18th century, depicting a pivotal moment in the life of George, Prince of Wales. The scene takes place in a grand room, where George, dressed in a richly embroidered robe, sits on a sofa surrounded by portraits of his former lovers, including The Perdita and The Armstead. A man, presumably a well-dressed gentleman, stands before him, presenting a selection of new portraits, assuring George that the originals have been "carefully tried and are in fine order for your H--s." George, with a smug expression, holds a stack of portraits and a list of "com--able wives, widows, and crackt maids," indicating his intention to continue his philandering ways. To George's right, Maria Fitzherbert, dressed in a simple gown, looks on in shock and confusion. She holds the title page of a book, "Whose the Dupe?", suggesting that she has discovered the truth about George's infidelity. The fallen sheet from "Uncle Morgan's Frolics," a popular satirical publication of the time, adds to the chaos and scandal of the scene. The date at the bottom, April 10th, 1786, underscores the audacity of George's actions, as he had secretly married Maria just a few weeks prior. This print offers a fascinating glimpse into the personal life of a royal figure and the societal norms of the time, where infidelity and multiple marriages were not uncommon among the aristocracy.

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