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Fine Art Print : Set dressers move a Jaguar Mark II car for the next shot during location filming of

Set dressers move a Jaguar Mark II car for the next shot during location filming of



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Set dressers move a Jaguar Mark II car for the next shot during location filming of

Set dressers move a Jaguar Mark II car for the next shot during location filming of " The Villain". The cast and crew where at the Clark Eaton Glass factory on the Southern industrial estate, Bracknell to film a wages snatch scene. Burton plays the lead character Vic Dakin a murderous, sadistic London gang leader. October 1970

Staff
Reading Post
Mirrorpix
Bracknell
Berkshire
England
3138 70 JH

Media ID 21720349

© Mirrorpix

Berkshire Film Production Location


21"x14" (+3" Border) Fine Art Print

Step into the world of cinematic history with our exclusive range of Fine Art Prints from Media Storehouse. This captivating image captures the behind-the-scenes moment as set dressers carefully move a vintage Jaguar Mark II car for the next shot during location filming of the classic British crime thriller, "The Villain". The cast and crew are seen in the background, adding to the authenticity of this intriguing scene. Hang this stunning print in your home or office to bring the magic of film production right into your space. A must-have for film enthusiasts and art collectors alike.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Industrial

> Arts > Film

> Europe > United Kingdom > England > Berkshire > Bracknell

> Europe > United Kingdom > England > Berkshire > Reading

> Europe > United Kingdom > England > Berkshire > Related Images

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Film

> Popular Themes > Film Poster

> Memory Lane Prints > Mirror > 0700to0799 > 00778


EDITORS COMMENTS
In this photo print, we are transported back to the bustling film set of "The Villain" in October 1970. Set dressers can be seen meticulously maneuvering a sleek Jaguar Mark II car, preparing it for the next shot. The cast and crew had gathered at the Clark Eaton Glass factory on the Southern industrial estate in Bracknell to capture an intense wages snatch scene. Amidst the flurry of activity, one cannot help but notice the charismatic presence of Richard Burton himself. Portraying Vic Dakin, a ruthless and sadistic London gang leader, Burton's commanding performance is sure to leave audiences spellbound. As he prepares to step into character once again, his piercing gaze hints at the depth and complexity that will unfold on screen. This snapshot from behind-the-scenes showcases not only the meticulous attention to detail involved in film production but also highlights Berkshire as a prime location for capturing cinematic magic. The vintage charm exuded by this classic Jaguar Mark II adds an air of sophistication and elegance amidst its gritty surroundings. As we delve into this moment frozen in time, we are reminded of how entertainment has evolved over decades past. This photograph serves as a testament to both nostalgia for 1970s cinema and our enduring fascination with transport as an integral part of storytelling.

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