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Fine Art Print : 1873 Richard Owen Old bones Vanity Fair
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1873 Richard Owen Old bones Vanity Fair
Richard Owen (20, July 1804- 18 December 1892). Caracature from Vanity Fairs Men of the Day series March 1st 1873. Owen was a comparative anatomist and palaeontologist who became one of the most famous and politically influential biologists of the Victorian era. His achievements included coining the word Dinosauria (1842 Vol. II Report on the British Reptiles), and establishing the new British Museum of Natural History at South Kensington in 1881. He worked hard and wrote prolifically, but his scientific legacy is limited. Partly this is because of his reluctance to theorize, and partly it is because of his later antagonism towards those who advocated evolution by natural selection (Huxley in particular). Owens reputation was damaged by his unwillingness to admit mistakes or accept criticism, and a tendency to ruthlessly manoeuvre positions to take credit for discoveries
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6318947
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
Anatomist British Biologist British Museum Of Natural History Caricature Comparative Anatomy Darwin Dinosaur Dinosauria Fossils Hunterian Huxley Mantell Nautilus Palaeontologist Richard Owen Taxonomy Vanity Fair Victorian Zoologist Enemy
21"x14" (+3" Border) Fine Art Print
Step into the captivating world of scientific discovery with our exquisite Fine Art Print from Media Storehouse. This stunning reproduction showcases the iconic 1873 Vanity Fair caricature of Richard Owen by Paul D. Stewart from Science Photo Library. Known for his groundbreaking work as a comparative anatomist, Owen's influence on the scientific community is undeniable. This captivating print is a must-have for any art or science enthusiast's collection, bringing a piece of history into your home or office. Embrace the beauty of scientific exploration with this timeless masterpiece.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 32.9cm x 53.3cm (13" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Richard Owen, a prominent figure in the scientific community during the Victorian era. Featured as part of Vanity Fair's Men of the Day series on March 1st, 1873, this caricature showcases Owen's undeniable influence and accomplishments. Richard Owen was not only a comparative anatomist and palaeontologist but also an influential biologist who left an indelible mark on his field. His significant contributions include coining the term "Dinosauria" in his report on British reptiles published in 1842. Moreover, he played a pivotal role in establishing the renowned British Museum of Natural History at South Kensington in 1881. However, despite his remarkable achievements, Richard Owen's scientific legacy remains somewhat limited. This can be attributed to his reluctance to engage in theoretical discussions and his later antagonism towards proponents of evolution by natural selection—most notably Thomas Huxley. Additionally, Owens' reputation suffered due to his unwillingness to admit mistakes or accept criticism while maneuvering positions to claim credit for discoveries made by others. Nevertheless, this intriguing illustration by Paul D. Stewart serves as a reminder of Richard Owen's lasting impact on the fields of comparative anatomy and palaeontology. It encapsulates both his brilliance as a scientist and some controversial aspects that marred his career. As we gaze upon this artwork from Science Photo Library, we are transported back to an era where intellectual rivalries shaped scientific progress and personalities loomed large within academic circles.
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