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Georgian woman asleep in a church box pew
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Georgian woman asleep in a church box pew
A smartly dressed Georgian era woman asleep in a church box pew, while other members of the congregation look on disapprovingly. From " R. Caldecotts Second Collection of Pictures and Songs" containing " The Milkmaid", " Hey Diddle Diddle", Baby Bunting", The Fox Jumps Over the Parsons Gate", " A Frog He Would a-Wooing Go", " Come Lasses and Lads", " Ride a Cock Horse...", " A Farmer Went Trotting...", " Mrs Mary Blaize" and " The Great Panjandrum Himself". Drawn by Randolph Caldecott; engraved and printed by E. Evans. Published by George Routledge & Sons, London & New York, c1885
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Media ID 19004437
© Linda Steward
18th Century Style Sunday Best Upper Class Hassock
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EDITORS COMMENTS
In this print, we are transported back to the Georgian era, where a smartly dressed woman finds solace in slumber within the confines of a church box pew. As she peacefully rests, her Sunday best attire speaks volumes about her social standing and upper-class upbringing. However, the disapproving glances from other members of the congregation reveal their disdain for such behavior within the sacred walls. Their judgmental gazes seem to question her devotion and commitment to religious observance. The artist's attention to detail is evident in every stroke, capturing not only the intricate folds of fabric adorning the woman's gown but also each individual expression on those surrounding her. The engraving technique employed by Randolph Caldecott brings an air of authenticity to this 18th-century scene. This particular artwork is part of "R. Caldecotts Second Collection of Pictures and Songs" a compilation that showcases various illustrations depicting everyday life during that period. Published by George Routledge & Sons in London and New York around 1885, it serves as a visual time capsule transporting us back to an era long gone. As we gaze upon this image, we can't help but wonder about the circumstances leading up to this momentary lapse in wakefulness – was it exhaustion from societal expectations or simply an unintended consequence? Regardless, it offers us a glimpse into both personal vulnerability and societal norms prevalent during that time.
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