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Framed Print : Georgian woman asleep in a church box pew

Georgian woman asleep in a church box pew



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Georgian woman asleep in a church box pew

A smartly dressed Georgian era woman asleep in a church box pew, while other members of the congregation look on disapprovingly. From " R. Caldecotts Second Collection of Pictures and Songs" containing " The Milkmaid", " Hey Diddle Diddle", Baby Bunting", The Fox Jumps Over the Parsons Gate", " A Frog He Would a-Wooing Go", " Come Lasses and Lads", " Ride a Cock Horse...", " A Farmer Went Trotting...", " Mrs Mary Blaize" and " The Great Panjandrum Himself". Drawn by Randolph Caldecott; engraved and printed by E. Evans. Published by George Routledge & Sons, London & New York, c1885

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Media ID 19004437

© Linda Steward

18th Century Style Sunday Best Upper Class Hassock


13.5"x11.5" (34x29cm) Premium Frame

Step into the past with our exquisite Framed Print of 'Georgian Woman Asleep in Church Pew' by whitemay from our Media Storehouse Fine Art collection. This captivating masterpiece transports you to an era of elegance and tradition, as a smartly dressed Georgian woman takes a moment of rest in the quiet tranquility of a church pew. The disapproving glances of fellow congregation members add an intriguing layer of storytelling to this beautiful work of art. Elevate your home decor with this timeless, museum-quality print, expertly framed to preserve its stunning detail and vibrant colors. Experience the allure of history in every inch of this mesmerizing piece.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 34cm x 29.2cm (13.4" x 11.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Storehouse > The Magical World of Illustration > Famous Illustration Artists > Randolph Caldecott (1846-1886)

> Fine Art Storehouse > Photo Libraries > The Illustrated London News (ILN)

> Arts > Artists > C > Randolph Caldecott

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Related Images

> North America > United States of America > New York > Related Images

> Popular Themes > George Best


EDITORS COMMENTS
In this print, we are transported back to the Georgian era, where a smartly dressed woman finds solace in slumber within the confines of a church box pew. As she peacefully rests, her Sunday best attire speaks volumes about her social standing and upper-class upbringing. However, the disapproving glances from other members of the congregation reveal their disdain for such behavior within the sacred walls. Their judgmental gazes seem to question her devotion and commitment to religious observance. The artist's attention to detail is evident in every stroke, capturing not only the intricate folds of fabric adorning the woman's gown but also each individual expression on those surrounding her. The engraving technique employed by Randolph Caldecott brings an air of authenticity to this 18th-century scene. This particular artwork is part of "R. Caldecotts Second Collection of Pictures and Songs" a compilation that showcases various illustrations depicting everyday life during that period. Published by George Routledge & Sons in London and New York around 1885, it serves as a visual time capsule transporting us back to an era long gone. As we gaze upon this image, we can't help but wonder about the circumstances leading up to this momentary lapse in wakefulness – was it exhaustion from societal expectations or simply an unintended consequence? Regardless, it offers us a glimpse into both personal vulnerability and societal norms prevalent during that time.

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