Framed Print > Europe > Italy > Sicily > Monreale
Framed Print : Exit of the animals from the Ark and the Spirit of the rainbow, scene from the stories of Genesis, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale
Framed Photos from Fondazione Alinari per la Fotografia
Exit of the animals from the Ark and the Spirit of the rainbow, scene from the stories of Genesis, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale
Exit of the animals from the Ark and the Spirit of the rainbow, scene from the stories of Genesis, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale. Monreale Cathedral Mosaic Byzantine Style, Byzantine Art, Europe, First and Second Millennium A.D.. Date of Photograph:1930 ca.. Date of Artwork:1175 - 1250 ca
Anderson
ADA-F-029664-0000
Media ID 33149342
© Alinari Archives, Florence
Animal Bible Old Testament Brand Byzantine Art Crest Genesis Gesture God The Father In A Geometrical Form In The Form Of A Plant In The Form Of Landscapebyzantine Style Inscription Mosaic Ornamentation Noah Patriarchs People Representation Small Boat By Water Christian Religion Emblem Rainbow Subject
13.5"x11.5" (34x29cm) Premium Frame
Bring the timeless beauty of sacred art into your home with our Media Storehouse Framed Print of "Exit of the Animals from the Ark and the Spirit of the Rainbow" by Anderson from Alinari. This exquisite print showcases a captivating scene from the stories of Genesis, taken directly from the cycle of mosaics located in the central nave of the magnificent Cathedral of Monreale. Each print is meticulously framed, preserving the intricate details of the original mosaic artwork. Add a touch of history and spirituality to any room in your home with this stunning, museum-quality piece.
Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")
Estimated Product Size is 34cm x 29.2cm (13.4" x 11.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Abstract Art
> Rainbows
> Architecture
> Styles
> Byzantine Architecture
> Europe
> Italy
> Sicily
> Monreale
> Religious Art
> Religious Architecture
> Churches and Cathedrals
> Religious Art
> Religious Architecture
EDITORS COMMENTS
This photograph captures a stunning mosaic print titled "Exit of the animals from the Ark and the Spirit of the rainbow, scene from the stories of Genesis". This masterpiece is part of a larger cycle of mosaics located in the central nave of the Cathedral of Monreale. The artwork itself dates back to around 1175-1250 AD, showcasing its rich history and significance. The mosaic depicts a vibrant scene from biblical times, illustrating Noah's ark as animals gracefully exit onto dry land after enduring a great flood. In this awe-inspiring moment, God's presence is symbolized by a magnificent rainbow arching across the sky. The intricate details within each tile showcase Byzantine style artistry at its finest. As we delve deeper into this image, we notice various elements that contribute to its overall grandeur. From architectural features to clothing fashion worn by patriarchs and men present in this religious narrative, every detail has been meticulously crafted. The landscape surrounding Noah's small boat adds an element of natural beauty to this sacred representation. Furthermore, it is fascinating to observe how communication takes place through gestures and instruments depicted in this mosaic ornamentation. Inscriptions and writings further enhance our understanding of this biblical event. Anderson's photograph was taken around 1930 when capturing such historical artworks became increasingly popular. It serves as a testament to both his skill as a photographer and his appreciation for ancient art forms. In conclusion, this remarkable photograph allows us to appreciate not only Anderson's talent but also highlights the timeless beauty found within Byzantine art. Through intricate mosaics like these, we can connect with stories from centuries past while marveling at their artistic brilliance that still resonates today.
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