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Framed Print : Florence Italy. Tracery From The Campanile Of Giotto. Artist John Ruskin. Engraver J. C. Armytage. From The Seven Lamps Of Architecture By John Ruskin Published 1894 By George Allen London

Florence Italy. Tracery From The Campanile Of Giotto. Artist John Ruskin. Engraver J. C. Armytage. From The Seven Lamps Of Architecture By John Ruskin Published 1894 By George Allen London



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Florence Italy. Tracery From The Campanile Of Giotto. Artist John Ruskin. Engraver J. C. Armytage. From The Seven Lamps Of Architecture By John Ruskin Published 1894 By George Allen London

Florence Italy. Tracery From The Campanile Of Giotto. Artist John Ruskin. Engraver J.C. Armytage. From The Seven Lamps Of Architecture By John Ruskin Published 1894 By George Allen London

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Media ID 18174297

© Ken Welsh / Design Pics

Architectural Bell Campanile Drawings Engravings Florence Illustrations Italian Italy Prints Tower Window Giotto Tracery


A2 Premium Frame with A3 Poster

Experience the timeless beauty of Florence, Italy with this exquisite framed print. This stunning artwork, titled "Tracery From The Campanile Of Giotto," is a masterpiece by renowned artist John Ruskin and engraver J. C. Armytage. Originally published in Ruskin's seminal work, "The Seven Lamps of Architecture," this captivating image showcases the intricate tracery of the Campanile of Giotto in Florence. Add an air of sophistication to your space with this museum-quality framed print, a perfect addition to any home or office.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Design Pics > Architecture

> Design Pics > Historical

> Architecture > Country > Italy > Florence

> Architecture > Drawings

> Architecture > Towers > Related Images

> Arts > Artists > Giotto

> Arts > Artists > R > John Ruskin

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Europe > Italy > Florence

> Europe > Italy > Tuscany > Florence


EDITORS COMMENTS
This print transports us to the enchanting city of Florence, Italy. Titled "Florence Italy. Tracery From The Campanile Of Giotto" this artwork is a masterpiece by renowned artist John Ruskin, with engravings skillfully executed by J. C. Armytage. It was originally published in 1894 as part of Ruskin's influential book "The Seven Lamps Of Architecture". The image captures the intricate tracery found on the campanile (bell tower) of Giotto, one of Florence's most iconic architectural landmarks. The attention to detail is remarkable, showcasing the delicate craftsmanship that characterizes Italian artistry. As we gaze upon this vertical composition, our eyes are drawn to the exquisite window design depicted in precise lines and curves. Every element contributes to an overall sense of harmony and elegance. This historical print not only celebrates the beauty of Florentine architecture but also serves as a testament to Ruskin's passion for promoting excellence in design and craftsmanship. Ken Welsh has expertly captured this significant piece from his collection without mentioning any commercial use restrictions or affiliations with a company. Through his lens, he invites us to appreciate both the artistic mastery behind this engraving and its cultural significance within architectural history.

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