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Framed Print : Arrival at the Louvre of Italian masterpieces The looting of works of art was the purpose
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Arrival at the Louvre of Italian masterpieces The looting of works of art was the purpose
JLJ4651509 Arrival at the Louvre of Italian masterpieces The looting of works of art was the purpose of expeditions by Dominique Vivant Denon (Vivant-Denon) under the orders of Consul Napoleon Bonaparte for the Musee Napoleon (present Louvre Museum) during the first Italian campaigns (1796-1797). Drawing with pen and wash by Jacques Francois Joseph Swebach (1769-1823) Paris, Musee du Louvre by Swebach, Jacques Francois Joseph (1769-1823); Louvre, Paris, France; (add.info.: Arrival at the Louvre of Italian masterpieces The looting of works of art was the purpose of expeditions by Dominique Vivant Denon (Vivant-Denon) under the orders of Consul Napoleon Bonaparte for the Musee Napoleon (present Louvre Museum) during the first Italian campaigns (1796-1797). Drawing with pen and wash by Jacques Francois Joseph Swebach (1769-1823) Paris, Musee du Louvre); Photo ePhoto Josse; French, out of copyright
Media ID 23716570
© Josse / Bridgeman Images
Looting Louvre Napoleon I 1st 1st Bonaparte 1769 1821 Photojosse
A2 Premium Frame with A3 Poster
Step into the hallowed halls of the Louvre with our stunning Framed Prints from Media Storehouse. This captivating image, titled "Arrival at the Louvre of Italian Masterpieces: The Looting of Works of Art was the Purpose of Expeditions by Dominique Vivant Denon," transports you back in time to the historic moment when Italian masterpieces were brought to the Louvre. Each print is meticulously framed and printed in high resolution, allowing you to savor the intricate details of this iconic photograph by Josse from Fine Art Finder (JLJ4651509). Add a touch of history and artistry to your home or office with this exquisite Framed Print.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
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Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the historic moment of the arrival of Italian masterpieces at the Louvre Museum. The purpose behind these expeditions was none other than the looting of valuable works of art, orchestrated by Dominique Vivant Denon under the orders of Consul Napoleon Bonaparte during his first Italian campaigns in 1796-1797. The drawing with pen and wash by Jacques Francois Joseph Swebach beautifully depicts this significant event. It showcases a scene filled with anticipation as crates containing priceless treasures are unloaded from horse-drawn carriages, ready to be displayed within the grand halls of the Louvre. The image transports us back in time, allowing us to witness firsthand how these stolen artworks were brought into France. Each brushstroke tells a story of conquest and power, revealing Napoleon's desire to establish an impressive collection for what would eventually become known as the Musee Napoleon, now famously recognized as the Louvre Museum. As we gaze upon this photograph, we cannot help but ponder on both sides of history - appreciating the artistic beauty that was preserved through such endeavors while acknowledging their controversial origins. This image serves as a reminder that art has often been subject to political motivations throughout history and continues to provoke discussions surrounding cultural heritage and ownership today. In its entirety, this print encapsulates not only a pivotal moment in French history but also invites contemplation on broader themes related to art acquisition and preservation.
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