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Framed Print : Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children

Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children



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Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children

BEN78459 Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; (add.info.: Room of the Bride and Groom; ); Photo eRaffaello Bencini; Italian, out of copyright

Media ID 22683350

© Raffaello Bencini / Bridgeman Images

Doublet Dwarf Family Portrait Messenger Parti Coloured Hose Trompe L Oeil Trompe Loeil


A2 Premium Frame with A3 Poster

Introduce a touch of history and elegance to your home with our exquisite Framed Prints featuring Marchese Ludovico Gonzaga III and his family. This stunning artwork, captured by Raffaello Bencini from the renowned Camera degli Sposi fresco by Mantegna, showcases the Marchese and his wife Barbara of Brandenburg with their children, courtiers, and their beloved dog Rubino. Each print is meticulously framed to preserve the beauty and intricacy of the original artwork, making it a timeless addition to any room in your home. Bring the rich history of the Renaissance era into your living space with our Framed Prints of Marchese Ludovico Gonzaga III and his family.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Andrea Mantegna

> Fine Art Finder > Italian Royalty & Rulers

> Animals > Mammals > Cricetidae > Picta

> Arts > Art Movements > Renaissance Art

> Arts > Artists > M > Andrea Mantegna

> Europe > Italy > Heritage Sites > Mantua and Sabbioneta

> Europe > Italy > Lombardy > Mantua

> Europe > Italy > Lombardy > Related Images

> Europe > Italy > Paintings

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This print captures the essence of a noble family in Renaissance Italy. Marchese Ludovico Gonzaga III, his elegant wife Barbara of Brandenburg, and their children are portrayed alongside courtiers and their loyal dog Rubino. The scene is set within the exquisite Camera degli Sposi or Camera Picta, a room known as the Room of the Bride and Groom. Painted by Andrea Mantegna between 1465-1474, this fresco showcases his mastery in capturing intricate details with remarkable precision. The composition is rich with symbolism and tells a story of wealth, power, and familial love. The Marchese stands tall in his doublet while Barbara radiates grace in her elaborate attire. Their children playfully interact with each other, reflecting both innocence and aristocratic upbringing. Courtiers surround them, adding an air of sophistication to the scene. One cannot help but notice the presence of a dwarf among them—a common feature in Renaissance portraits that symbolized curiosity and exoticism. This inclusion highlights both social conventions at that time and Mantegna's attention to detail. The use of trompe l'oeil technique further enhances this masterpiece; it creates an illusionary three-dimensional effect on flat surfaces. As we gaze upon this extraordinary painting through Raffaello Bencini's lens, we are transported back to a glorious era where artistry flourished within Italian palaces like Palazzo Ducale & Museo in Mantua. This print serves as a

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