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Framed Print : A fox calls out a quack toad. 1811 (etching)
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A fox calls out a quack toad. 1811 (etching)
7235831 A fox calls out a quack toad. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A fox calls out a quack toad. A stag, horse, cow and other animals watch from the riverbank. Frog turned physician. Illustration of a fable by Greek author Aesop. Copperplate etching drawn and engraved from life by Samuel Howitt from his own A New Work of Animals, Principally Designed from the Fables of Aesop, Gay and Phaedrus, Edward Orme, London, 1811.); © Florilegius
Media ID 25499814
© Florilegius / Bridgeman Images
Aesop Charlatan Common Toad Cows Epistles Fjord Fjords Foxes Game Animal Lakes Loch Lochs Millpond Mountain Lake Pond Reptiles Stag Stags Surinam Toad Toad Vixen Wild Stag Fable Litaerature Poems Shire Horse Stallions
13.5"x11.5" (34x29cm) Premium Frame
Bring the whimsical world of Samuel Howitt's 'A Fox Calls Out a Quack Toad. 1811 (etching)' into your home with Media Storehouse's Framed Prints. This captivating etching, sourced from Bridgeman Images through Fine Art Finder, showcases a mischievous fox attempting to lure a quack toad from the water's edge. The intricate details of the print are beautifully preserved, making it a delightful addition to any room. Joining the fox on the riverbank are a variety of other animals, including a stag, horse, and cow, adding an element of surprise and wonder. Elevate your décor with this timeless piece of art and let the story of the fox and the quack toad unfold in your space.
Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")
Estimated Product Size is 34cm x 29.2cm (13.4" x 11.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this etching by Samuel Howitt, titled "A Fox Calls Out a Quack Toad" we are transported into the enchanting world of Aesop's fables. The scene unfolds with a fox confidently confronting a quack toad, while an audience of curious onlookers - including a stag, horse, cow, and other animals - observe from the riverbank. This artwork beautifully captures the essence of Aesop's moral tales, as it depicts the frog turned physician. The intricate details and lifelike portrayal in copperplate etching bring these mythical characters to life. Created in 1811 for Howitt's own publication "A New Work of Animals" this print showcases his talent for illustrating stories from various sources such as Aesop, Gay, and Phaedrus. The composition is filled with vibrant wildlife amidst serene surroundings like lakes and mountains. Each animal represents different facets of nature; from majestic stags to spirited racehorses and even farm animals like shire horses. This diverse gathering symbolizes both unity and diversity within the natural world. As we delve into this piece further, we can appreciate not only its artistic merit but also its historical significance. It serves as a testament to British culture during the early 19th century when literature played an essential role in shaping society's values. "A Fox Calls Out a Quack Toad" invites us to reflect upon timeless themes such as deceit versus truthfulness and wisdom versus ignorance. Through Howitt's masterful craftsmanship, this print continues to captivate viewers today by reminding us that fables hold valuable lessons that transcend time itself.
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