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Framed Print : The skeleton of Death pulls on the arm of a mother in a nursery, 1792. 1926 (engraving)
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The skeleton of Death pulls on the arm of a mother in a nursery, 1792. 1926 (engraving)
7234866 The skeleton of Death pulls on the arm of a mother in a nursery, 1792. 1926 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info.: The skeleton of Death pulls on the arm of a mother in a nursery. Death carries off one child as another flees. The Mother breastfeeds a baby on her lap. Die Mutter. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from a series of Dance of Death, originally published in the Lavenburg Calendar in 1792. Reprinted in Totentanz from the original copperplates by Walther Nithack-Stahn, Eigenbrodler Verlag, Berlin, 1926.); © Florilegius
Media ID 25192218
© Florilegius / Bridgeman Images
All Family Allegoric Allegories Allergoric Alllegorical Figure Animal Skeleton Breast Feeding Breast Giving Breast Milk Breastfeeding Breastmilk Danse Macabre Daycare Familiy Fmily Macabre Dance Mama Mamma Nursery Parental Poland Poland Polish Pole Polish Pre School Symbole Symbolical Representation Symbolised Symbolising Symbology Toddler Toddlers Deaths Mortality New Baby New Born New Born Babes New Born Infant Newborn Newly Born Passed Away Room Interior Symbols
A2 Premium Frame with A3 Poster
Bring a hauntingly beautiful addition to your home decor with Media Storehouse's Framed Print of 'The Skeleton of Death pulls on the arm of a mother in a nursery' by Daniel Nikolaus Chodowiecki. This engraving, originally published in 1792 and reproduced in 1926, captures the poignant image of Death reaching out to claim a mother in the midst of her child's nursery. With intricate details and a rich, historical background, this artwork is a striking conversation starter and a timeless piece that adds depth and character to any room. Order your Framed Print today and let the story of this captivating image unfold in your personal space.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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This engraving by Daniel Nikolaus Chodowiecki, titled "The skeleton of Death pulls on the arm of a mother in a nursery" depicts a haunting scene that evokes both fear and empathy. In this allegorical image, Death personified as a skeleton forcefully tugs at the arm of a distressed mother who sits in a nursery. The skeletal figure carries off one child while another flees in terror. Despite the chaos surrounding her, the mother remains steadfast, breastfeeding an infant on her lap. This powerful symbol of nurturing amidst tragedy highlights the resilience and strength of maternal love. Chodowiecki's engraving is part of his larger series called Dance of Death, originally published in 1792. It was later reprinted in Totentanz from the original copperplates by Walther Nithack-Stahn in 1926. The intricate details and skillful execution showcase Chodowiecki's mastery as an engraver. The macabre dance between life and death depicted here serves as a reminder of our mortality and the fragility of human existence. It also explores themes such as loss, grief, and the transient nature of life itself. This thought-provoking artwork invites viewers to contemplate their own mortality while appreciating the enduring power of love within familial bonds.
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