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Framed Print : The skeleton of Death stabs the Pope on his throne. 1792. 1926 (engraving)
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The skeleton of Death stabs the Pope on his throne. 1792. 1926 (engraving)
7234877 The skeleton of Death stabs the Pope on his throne. 1792. 1926 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info.: The skeleton of Death stabs the Pope on his throne. The figure of Death wears a crown of thorns, black habit and sashes, and uses a dart or arrow. Priests and monks pray and kneel before him. Der Pabst. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from a series of Dance of Death, originally published in the Lavenburg Calendar in 1792. Reprinted in Totentanz from the original copperplates by Walther Nithack-Stahn, Eigenbrodler Verlag, Berlin, 1926.); © Florilegius
Media ID 25192224
© Florilegius / Bridgeman Images
Allegoric Allegories Allergoric Alllegorical Figure Animal Skeleton Archbishops Archdeacon Cardinal Cardinals Cathloic Cathoic Clergymen Danse Macabre Enthroned Enthronement Macabre Dance Man Of The Cloth Poland Poland Polish Pole Polish Popedom Popes Roman Catholicism Symbole Symbolical Representation Symbolised Symbolising Symbology Thrones Catholic Religion Catholics Christinaity Deaths Imam Mortality Passed Away Religious Role Symbols
A2 Premium Frame with A3 Poster
Experience the intrigue and historical depth of this captivating artwork with our Media Storehouse Framed Print of 'The Skeleton of Death Stabs the Pope on His Throne.' This engraving, created by Daniel Nikolaus Chodowiecki in 1792 and published in 1926, depicts a chilling scene of the Grim Reaper piercing the Pope on his throne. Add this unique and thought-provoking piece to your collection and bring a touch of history and intrigue to your home or office. Courtesy of Bridgeman Images and Fine Art Finder.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
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Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Skeleton of Death Stabs the Pope on His Throne
EDITORS COMMENTS
is a thought-provoking engraving by Daniel Nikolaus Chodowiecki that captures the tension between mortality and power. Created in 1792 but reprinted in 1926, this allegorical artwork depicts Death, wearing a crown of thorns and clad in black habit and sashes, stabbing the Pope while he sits on his throne. The image portrays priests and monks praying and kneeling before Death, emphasizing their vulnerability to its inevitable grasp. The dart or arrow used by Death symbolizes the swift nature of mortality, reminding us that even those in positions of authority are not exempt from its reach. Chodowiecki's work is part of a series called "Dance of Death" originally published in the Lavenburg Calendar. This particular print offers an intriguing commentary on religious power structures and serves as a reminder that death is an equalizer for all individuals regardless of their status or position within society. With its intricate details and powerful symbolism, this engraving invites viewers to reflect upon their own mortality while questioning notions of authority and hierarchy. It serves as a timeless reminder that death ultimately unites us all, transcending religious boundaries and cultural differences. This artwork showcases Chodowiecki's skill as an artist while challenging viewers to contemplate life's transience amidst structures built upon earthly power.
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