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Framed Print : Tweed-le-dee and Tilden-dum, from Harpers Weekly

Tweed-le-dee and Tilden-dum, from Harpers Weekly



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Tweed-le-dee and Tilden-dum, from Harpers Weekly

PNP284619 Tweed-le-dee and Tilden-dum, from Harpers Weekly, 1st July 1876 (engraving) William M. Boss Tweed hugging the figure of Samuel J. Tilden, from Harpers Weekly, 1871 (litho) by Nast, Thomas (1840-1902); Private Collection; (add.info.: William Marcey Boss Tweed (1823-78) corrupt leader of the Tammany Society, the Democratic Party Political Machine; his fraud and stealing of public money; ); Peter Newark American Pictures; American, out of copyright

Media ID 23374756

© Peter Newark American Pictures / Bridgeman Images

American Politician Boss Corruption Fraudster Graft Illegal Activity Injustice Policeman Political Satire Power Broker Scandal Tammany Hall


13.5"x11.5" (34x29cm) Premium Frame

Bring a touch of historical charm to your home or office with our Media Storehouse Framed Prints featuring Tweed-le-dee and Tilden-dum from Harpers Weekly by Bridgeman Images. This iconic engraving, originally published on July 1, 1876, captures the notorious political figure William M. "Boss" Tweed hugging Samuel J. Tilden. This captivating print, brought to you by Fine Art Finder, is an excellent addition to any collection, evoking the rich history of American politics. Each print is meticulously framed to preserve its beauty and authenticity, making it a stunning conversation starter and a timeless work of art.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > America & American Art (+canada)

> Fine Art Finder > Artists > English Photographer

> Fine Art Finder > Artists > Thomas Nast

> Arts > Artists > L > Peter Lely

> Arts > Artists > N > Thomas Nast

> Arts > Artists > N > Thomas North

> Arts > Pop art > Satire > Satirical artwork

> People > Politicians

> Popular Themes > Money

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the infamous political duo, Tweed-le-dee and Tilden-dum, as depicted in Harpers Weekly on July 1st, 1876. Created by the talented artist Thomas Nast, this engraving showcases William Marcey Boss Tweed embracing the figure of Samuel J. Tilden. Tweed-le-dee and Tilden-dum symbolize a dark era in American politics marked by corruption and illegal activities. Boss Tweed, the leader of Tammany Society and a prominent figure within the Democratic Party Political Machine, was notorious for his fraudulent schemes and embezzlement of public funds. In this lithograph from 1871, Nast brilliantly portrays Tweed's tight grip on power as he embraces Tilden - an image that speaks volumes about their close alliance. The cartoonish caricature highlights not only their malevolent influence but also serves as a scathing critique of government injustice during that time. Tammany Hall's corrupt practices were well-known throughout America at this period. This satirical artwork sheds light on the graft and misconduct prevalent within American politics during that era. Today, this historic photograph stands as a reminder of how power can be abused when entrusted to individuals driven by personal gain rather than public service. It serves as a cautionary tale against allowing corruption to infiltrate our democratic institutions.

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