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Framed Print : Saint Mary Magdalen, c. 1630 (oil on canvas)

Saint Mary Magdalen, c. 1630 (oil on canvas)



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Saint Mary Magdalen, c. 1630 (oil on canvas)

500083 Saint Mary Magdalen, c.1630 (oil on canvas)
by Vouet, Simon (1590-1649); 159x132 (framed) 130.8x103.5 (unframed) cm; Cleveland Museum of Art, OH, USA; (add.info.: King Louis XIII summoned Vouet, who had worked for many years in Italy, back to France to paint for the court. Saint Mary Magdalene exemplifies innovations in Italian painting that Vouet brought back with him. The monumental figure, pulled to the front of the picture plane, ultimately stems from Caravaggios impact on Vouet in Rome, but the vivid colors reveal Vouets adaptation to the bright palette preferred in France.
); Leonard C. Hanna, Jr. Fund; French, out of copyright

Media ID 23553800

© Leonard C. Hanna, Jr. Fund / Bridgeman Images

Mary Magdalen Skull


13.5"x11.5" (34x29cm) Premium Frame

Adorn your home or office with the timeless beauty of this Saint Mary Magdalen Framed Print, featuring a captivating oil on canvas artwork from the 17th century. Created by renowned artist Simon Vouet in approximately 1630, this masterpiece showcases the penitent Mary Magdalen in a moment of deep reflection. The intricate details and rich colors of the original artwork, now housed in the Cleveland Museum of Art, are expertly captured in this high-quality framed print. Add a touch of history and spiritual inspiration to your space with this stunning addition to your collection.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > German School

> Fine Art Finder > Artists > Simon Vouet

> Fine Art Finder > Saints

> Arts > Artists > C > Caravaggio

> Arts > Artists > Caravaggio > Caravaggio paintings

> Arts > Artists > Caravaggio

> Arts > Artists > V > Simon Vouet

> Europe > France > Paintings

> Europe > France > Royalty

> Europe > Italy > Lazio > Rome

> Europe > Italy > Paintings

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
The print captures the exquisite painting of "Saint Mary Magdalen" by Simon Vouet, created around 1630. This oil on canvas masterpiece is housed in the Cleveland Museum of Art in Ohio, USA. Vouet's return to France after his long stay in Italy was marked by King Louis XIII summoning him to paint for the court. The influence of Italian painting can be seen in this artwork, as Vouet incorporated innovative techniques he had learned during his time there. The focal point of the painting is Saint Mary Magdalene herself, portrayed as a monumental figure pulled forward onto the picture plane. This technique was inspired by Caravaggio's impact on Vouet during his time in Rome. However, what sets this piece apart is Vouet's adaptation to the vibrant color palette preferred in France. Intriguing elements within the composition include a book symbolizing her devotion and knowledge, an orange shawl draped over her shoulders adding warmth and depth to her presence, and a skull at her feet representing mortality and penance. This stunning seventeenth-century artwork showcases both Vouet's mastery as a painter and his ability to blend influences from different artistic traditions into something truly unique. It serves as a testament to Saint Mary Magdalene's significance within Christian iconography while also highlighting Vouet's skillful execution of form and color.

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