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Framed Print : Sri Vikrama Rajasinha, king of Kandy (Sri Lanka) dismissed by the English in 1815

Sri Vikrama Rajasinha, king of Kandy (Sri Lanka) dismissed by the English in 1815



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Sri Vikrama Rajasinha, king of Kandy (Sri Lanka) dismissed by the English in 1815

6437975 Sri Vikrama Rajasinha, king of Kandy (Sri Lanka) dismissed by the English in 1815. 1924 (Illustration) by Woodville, Richard Caton (1825-55) (after); Private Collection; (add.info.: History. Sri Lanka. Sovereign Sri Vikrama Rajasinha dismissed by the English in 1815. Illustration by R. Caton Woodville published in the magazine: Aller Lapja, Hungary, 1924. Coll. Share.); Photo: eArchives Charmet; American, out of copyright

Media ID 24133788

© Photo: Archives Charmet / Bridgeman Images

Capitulation Colonialist Colonisation Colonist Colonists Colonization Colonizer Colony Defeat Defeated Hungarian Hungarian Hungarian Hungarian Hungary Hungary Hungarian Sri Lanka Journalism


21.5"x17.5" (55x44cm) Premium Frame

Bring the rich history of Sri Lanka into your home with our exquisite Framed Prints featuring the portrait of King Sri Vikrama Rajasinha of Kandy. This captivating image, taken from the Fine Art Finder collection at Bridgeman Images, showcases the king in his regal attire, a testament to his power and majesty. The portrait, created by renowned English artist Richard Caton Woodville in 1924, is an intriguing glimpse into the past. Add this stunning piece to your decor and transport yourself to a time of grandeur and history with Media Storehouse Framed Prints.

Framed and mounted 17x12 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 21.5x17.5 inches (546x444mm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 41.8cm x 41.8cm (16.5" x 16.5")

Estimated Product Size is 44.4cm x 54.6cm (17.5" x 21.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > German School

> Fine Art Finder > Artists > Richard Caton (after) Woodville

> Arts > Artists > W > Caton Woodville

> Arts > Artists > W > Richard Caton Woodville

> Arts > Literature > Magazines

> Asia > Sri Lanka > Kandy

> Asia > Sri Lanka > Related Images

> Europe > Hungary > Posters

> Europe > Hungary > Related Images

> Historic > Colonial America illustrations > Colonial America

> Historic > Colonial America illustrations

> Historic > Colonial history


EDITORS COMMENTS
This print showcases the historical moment when Sri Vikrama Rajasinha, the king of Kandy in Sri Lanka, was dismissed by the English in 1815. The image, created by Richard Caton Woodville in 1924, captures the essence of this significant event. The photograph depicts a solemn scene as troops from the English army stand tall and proud while surrounding King Vikrama Rajasinha. The king himself appears dignified yet defeated, his regal presence contrasting with the colonial forces that have overpowered him. This powerful illustration serves as a reminder of British colonialism's impact on Sri Lanka during this period. Woodville's attention to detail is evident in every stroke of his pen, capturing not only the military uniforms but also conveying a sense of cultural significance through symbols and gestures. The composition transports viewers back to a time when native cultures were subjugated under foreign rule. Published originally in Aller Lapja magazine in Hungary, this image has since become an important piece of historical documentation. It symbolizes both resistance against colonization and loss for Sri Lankan sovereignty. As we observe this poignant moment frozen in time, it serves as a reminder that history is shaped by those who hold power and those who fight against it. Through Woodville's skilled handiwork, we are transported into an era where empires clashed and nations struggled for independence.

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