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Framed Print : Ends (litho)

Ends (litho)



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Ends (litho)

7150298 Ends (litho) by Barrett, Oswald Charles (BATT) (1892-1945); Private Collection; (add.info.: Ends. Illustration from How Should We Rebuild London? by C B Purdom (J M Dent & Sons Ltd, London, 1945).); © Look and Learn

Media ID 25192552

© Look and Learn / Bridgeman Images

1940 1949 19401949 1940s 39 45 Agricultural Scene Calculus Cereal Cereals Corn Corn Crop Corn Crops Cornfields Crown Of Thorns Crown Of Thorns And Nails Crowns Ears Of Corn Forties Future Ii World War Jersus Christ Jesus Chirst Jesus Christs Jesus King Life Of Christ Life Of Jesus London Nw Lonodn Lord Jesus Maize Mathematics Nineteen Forties Numeracy Outer Space Planetary Science Post War Postwar Progress Reconstruction Reenactment Replica Reproduction Second World War Space Space And Astronomy Star Starry Stars The City Of London The Forties Urban Districts Vegetable Vegetables War 1939 1945 Wheat Wheatsheaves World War World War 2 World War Ii World War Two Wwii Www2 Christ Jesus General Knowledge Jesus Of Nazareth Knowing War Scene War Zone


A2 Premium Frame with A3 Poster

Add a touch of timeless elegance to your home or office with Media Storehouse's Framed Prints featuring "Ends (litho)" by Oswald Charles Barrett. This stunning lithograph, sourced from Bridgeman Images through Fine Art Finder, showcases Barrett's intricate attention to detail and mastery of the lithographic process. The image, titled "Ends," is an illustration from "How Should We Rebuild London," and is a captivating conversation starter. Each print is carefully framed to preserve and enhance the artwork's beauty, making it a perfect addition to any space. Experience the rich history and artistic excellence of this classic piece with Media Storehouse's Framed Prints.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Oswald Charles (1892-1945) Barrett

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > King Charles

> Arts > Artists > W > Charles White

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life drawings > Life drawings

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II


Ends (litho) by Oswald Charles Barrett - A Satirical Depiction of Post-War Reconstruction

EDITORS COMMENTS
. This black and white lithograph, titled "Ends" created by Oswald Charles Barrett in the mid-20th century, offers a thought-provoking commentary on post-war reconstruction. The artwork was originally featured in the book "How Should We Rebuild London?" written by C. B. Purdom in 1945. The illustration presents a complex composition that intertwines various elements from different realms of knowledge and history. At its center, we see a crown of thorns symbolizing suffering and sacrifice, juxtaposed with a cross representing Christianity. Surrounding these religious symbols are depictions of wheat and corn, signifying agriculture and sustenance. Barrett's satirical drawing also includes references to science, music, mathematics, astronomy, and literature – all crucial aspects of human progress throughout history. This amalgamation suggests that rebuilding London after the war requires not only physical reconstruction but also intellectual growth. The artist skillfully incorporates imagery related to war as well; an ominous star looms overhead while an open book lies at the bottom corner – perhaps representing lessons learned from past conflicts. Through this intricate composition filled with symbolism and historical references, Barrett invites viewers to contemplate the future of Great Britain amidst the aftermath of World War II. It serves as a reminder that true progress lies not only in physical reconstruction but also in embracing knowledge across various disciplines for a brighter tomorrow.

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