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Framed Print : Witchcraft in the 16th century, a Witch selling some philtres

Witchcraft in the 16th century, a Witch selling some philtres



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Witchcraft in the 16th century, a Witch selling some philtres

CHT163098 Witchcraft in the 16th century, a Witch selling some philtres, from Histoire de France by Jules Michelet (1798-1874) c.1900 (colour engraving) by Bombled, Louis Charles (1862-1927); Private Collection; (add.info.: Sorcellerie au 16e siecle, sorciere vendant des philtres; ); eArchives Charmet; French, out of copyright

Media ID 23225800

© Archives Charmet / Bridgeman Images

Bewitchment Cauldron Consulting Evil Spell Frog Mask Masked Payment Potion Skull Superstition Philtre


A2 Premium Frame with A3 Poster

Step back in time with our captivating selection of Framed Prints from Media Storehouse. This mesmerizing image, titled "Witchcraft in the 16th Century, A Witch Selling Some Philtres," is a color engraving by Bombled, taken from Histoire de France by Jules Michelet. Witness the intrigue of the 16th century as a witch, shrouded in mystery, offers her potions to unsuspecting customers. Add an enchanting touch to your home or office décor with this captivating work of art from Bridgeman Images, now available as a Framed Print from Media Storehouse.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Afterlife, Folklore, Supernatural &

> Fine Art Finder > Artists > Louis Charles Bombled

> Fine Art Finder > Artists > School French

> Animals > Birds > Owls > Related Images

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Louis Bombled

> Historic > Renaissance art

> Renaissance art


EDITORS COMMENTS
This print takes us back to the mysterious world of witchcraft in the 16th century. In this enchanting scene, we witness a witch engaging in her craft, selling some philtres to eager customers. The artist, Louis Charles Bombled, skillfully captures the essence of this era with his vivid use of color and intricate engraving. The focal point of the image is undoubtedly the bewitching sorceress herself. Cloaked in secrecy and masked for anonymity, she exudes an aura of power and mystique. With her cauldron bubbling beside her and a variety of potions on display, she entices potential buyers with promises of love potions or remedies for various ailments. As we observe closely, we notice a couple standing before her; their faces filled with anticipation and curiosity. They have come seeking answers from this enigmatic figure who possesses knowledge beyond ordinary comprehension. An owl perched nearby serves as a symbol of wisdom while adding an air of foreboding to the scene. Intriguing elements such as skulls, frogs, and evil spells scattered around further emphasize the dark nature associated with witchcraft during that time period. The artist's attention to detail transports us into this Renaissance setting where superstition reigns supreme. This remarkable illustration from Jules Michelet's "Histoire de France" allows us to delve into a world where magic was both feared and sought after. It serves as a reminder that even in our modern age, there are still remnants

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