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Framed Print : Complutensian Polyglot Bible, printed by Arnao Guillen de Brocar (engraving)
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Complutensian Polyglot Bible, printed by Arnao Guillen de Brocar (engraving)
2919557 Complutensian Polyglot Bible, printed by Arnao Guillen de Brocar (engraving) by Spanish School, (16th century); The University of St. Andrews, Scotland, UK; (add.info.: The Complutensian Polyglot, the earliest of the Polyglots, known also as the Alcala or Ximenes Polyglot. Text based on a selection of manuscripts acquired by Cardinal Ximenes or loaned by Pope Leo X from the Vatican.
Title of vol. 5: Nouum Testamentum grece & latine in academia Complutensi nouiter impressum. All title pages have the arms of Cardinal Ximemes printed in red, apart from the New Testment, where they are printed in black. At the head of all titles: Haec tibi pentadecas tetragonon respicit illus hospitium petri [et] pauli ter quinq[ue] dierum. Namq[ue] instrume[n]tum vetus hebdoas innuit: octo lex noua signatur. ter quinq[ue] receptat vtrunq[ue].
The Complutesian Polyglot was edited by Diego LAopez de Zuniga with Elio Antonio de Lebrija, Fernando Nunez de Guzman, Juan de Vergara, Pedro de Vergara, Demetrios Ducas, Alphonso de Alcala and Pedro Coronel (Darlow and Moule).
Probably begun in 1502 and printed between 1514 and 1517, but did not obtain papal authorisation until 1522); eUniversity of St. Andrews Library; Spanish, out of copyright
Media ID 23443662
© University of St. Andrews Library / Bridgeman Images
Language Languages Page Pages Script Texts
A2 Premium Frame with A3 Poster
Adorn your home or office with a piece of historical beauty from the Media Storehouse Framed Prints collection. This exquisite print showcases the Complutensian Polyglot Bible, a masterpiece of the Spanish School from the 16th century. Printed by Arnao Guillen de Brocar and featuring an intricate engraving by Bridgeman Images, this artwork is a testament to the rich history of fine art and religious literature. Bring the wisdom and wonder of the past into your present with this stunning framed print.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
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Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the Complutensian Polyglot Bible, a remarkable piece of literary history. Printed by Arnao Guillen de Brocar in the 16th century, this engraving captures the essence of one of the earliest and most significant polyglots ever created. The University of St. Andrews in Scotland is fortunate to house this invaluable treasure. Also known as the Alcala or Ximenes Polyglot, this masterpiece was meticulously crafted based on a selection of manuscripts acquired by Cardinal Ximenes or loaned by Pope Leo X from the Vatican. Its fifth volume titled "Nouum Testamentum grece & latine in academia Complutensi nouiter impressum" holds particular importance. Each title page proudly displays Cardinal Ximemes' arms printed in red, except for the New Testament where they are elegantly presented in black. Atop all titles lies an intriguing inscription: "Haec tibi pentadecas tetragonon respicit illus hospitium petri [et] pauli ter quinq[ue] dierum". This phrase symbolizes its connection to both ancient and modern instruments, signifying their harmonious coexistence within its pages. The Complutensian Polyglot was skillfully edited by Diego LAopez de Zuniga alongside Elio Antonio de Lebrija, Fernando Nunez de Guzman, Juan de Vergara, Pedro de Vergara, Demetrios Ducas, Alphonso de Alcala and Pedro Coronel. Although it began around 1502 and took several years to complete printing between 1514 and 1517, it only received papal authorization in 1522. This extraordinary work represents an unparalleled collaboration between scholars and printers during a time when knowledge was highly sought after but difficult to access. Its significance cannot be overstated as it stands as a testament to the dedication and intellectual prowess of those involved in its creation.
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