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Framed Print : PHYSIOGNOMY, 1648. Forehead of an upright man and intelligent man. Woodcut, 1648
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PHYSIOGNOMY, 1648. Forehead of an upright man and intelligent man. Woodcut, 1648
PHYSIOGNOMY, 1648.
Forehead of an upright man and intelligent man. Woodcut, 1648, from Philippus Phinellas Metoposcopia
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12407806
1648 Face Forehead Intelligence Metoposcopia Physiognomy
13.5"x11.5" (34x29cm) Premium Frame
Introducing the latest addition to our Media Storehouse Framed Prints collection: "Physiognomy, 1648" by Philippus Phinellus. This captivating woodcut print, titled "Forehead of an upright man and intelligent man," is a fascinating glimpse into the historical study of physiognomy. Dating back to 1648, this intriguing artwork invites viewers to explore the connections between facial features and character traits. Each print is meticulously framed to preserve its authenticity and beauty, making it an exquisite addition to any home or office space. Elevate your decor with a piece of history – order your "Physiognomy, 1648" Framed Print today!
Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")
Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This woodcut print from 1648, titled "PHYSIOGNOMY" offers a glimpse into the fascinating world of Renaissance beliefs surrounding facial features and their supposed correlation with character traits. The focus of this particular image is on the foreheads of two men, highlighting their upright nature and intelligence. The intricate details captured in this woodcut are truly remarkable, showcasing the skill and precision of the artist. The lines etched into the wood create a sense of depth and texture, allowing us to appreciate every contour and wrinkle on these men's foreheads. In Renaissance times, physiognomy was a popular pseudoscience that claimed one's character could be determined by analyzing their physical appearance. This print serves as an example of how people during that era sought to understand human nature through observation and interpretation. The juxtaposition between an upright man and an intelligent man invites contemplation about the relationship between morality and intellect. It prompts us to question whether these qualities are mutually exclusive or intertwined within individuals. As we gaze upon this historical artifact, we can't help but marvel at how our understanding of human behavior has evolved over time. While physiognomy may have been debunked as a legitimate science today, it remains an intriguing testament to humanity's enduring quest for knowledge about ourselves.
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