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Framed Print : Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)

Ejiri, from the series 'Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)



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Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)

Ejiri, from the series " Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", Japan, c. 1806

Heritage Images features heritage image collections

Media ID 24377005

© Heritage Art/Heritage Images

Carrying On Shoulders Chuban Ejiri Shizuoka Japan Fifty Three Stations Of The Tokaido Hokusai Hokusai Katsushika Hokusai Tokimasa Kako Katsushika Hokusai Litter Palanquin Portraitarts Of Asia Reisho Tokaido Saki No Sedan Chair Shukuba Shunrō Sorobeku Tatsumasa Tokaido Highway Tokaido Japan Traveller Travellers Woodcutcolour Woodblock Print Zen No


A2 Premium Frame with A3 Poster

Experience the timeless beauty of Japanese art with our Framed Prints featuring the iconic work "Ejiri" by Hokusai from the renowned series "Fifty-three Stations of the Tokaido." This exquisite piece, created around 1806, showcases Ejiri Station on the ancient Tokaido Road. Our Framed Prints are meticulously crafted to preserve the rich colors and intricate details of this masterpiece, transporting you to the heart of Japan's artistic heritage. Add a touch of elegance and sophistication to your home or office with this stunning work of art.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Katsushika Hokusai

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > Katsushika Hokusai > Woodblock prints

> Arts > Artists > Katsushika Hokusai

> Asia > Japan > Related Images

> Asia > Japan > Shizuoka

> Asia > Related Images


EDITORS COMMENTS
This print by Hokusai, titled "Ejiri, from the series Fifty-three Stations of the Tokaido" takes us back to 19th century Japan during the Edo period. The artwork showcases a scenic coastal view of Ejiri in Shizuoka, with its lush greenery and serene atmosphere. As we delve into this masterpiece, we are transported to a time when the Tokaido highway was bustling with activity. Intriguingly, the focal point of this print is not just the picturesque landscape but also the people and animals that populate it. A man on horseback catches our attention as he confidently rides along the road while others carry palanquins or travel in sedan chairs. These modes of transportation were common during that era and symbolize both status and convenience. Hokusai's mastery in block printing is evident through his meticulous attention to detail. Each stroke brings life to every element within this composition - from the flowing waves crashing against rocks to each individual strand of grass swaying gently in the wind. As we admire this piece at The Art Institute of Chicago's Asian Art Gallery, we can't help but be captivated by Hokusai's ability to capture both natural beauty and human activity within one frame. This print serves as a testament to his artistic skill and enduring legacy as one of Japan's most celebrated artists.

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