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Framed Print : Facade of the new British Museum, 1845. Creator: Ebenezer Landells

Facade of the new British Museum, 1845. Creator: Ebenezer Landells



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Facade of the new British Museum, 1845. Creator: Ebenezer Landells

Facade of the new British Museum, 1845. The newly extended building in Bloomsbury, London. The design of the New British Museum...has certainly not been spared by the architectural critic of the " Companion to the Almanac for 1846", " who writes thus:- " The British Museum is progressing slowly, but quietly. Although two or three years more may elapse before the whole facade is complete, unless it be proceeded with more expeditiously than hitherto, we can now very plainly perceive, from what is done, the entire design and its character...the architecture is bare and cold, and has an unfinished air. At the best, the merit of the design is quite of a negative kind, as it consists entirely of colonnading, and nothing more.... From " Illustrated London News", 1845, Vol VII

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Media ID 20551637

© The Print Collector/Heritage Images

Bloomsbury Bloomsbury Camden London England British Museum Camden Ebenezer Ebenezer Landells Great Russell Street Landells Landells Ebenezer Neo Classical Neo Classicism Neoclassical Robert Smirke Sir Robert Sir Robert Smirke Smirke Smirke Robert Smirke Sir Robert


A2 Premium Frame with A3 Poster

Step into the past with our stunning Framed Print of the Facade of the New British Museum, 1845 by Ebenezer Landells. This captivating image showcases the newly extended building in Bloomsbury, London, as it appeared over 175 years ago. Landells' meticulous detailing and masterful use of light bring the grandeur of the British Museum to life. A must-have for history enthusiasts and art lovers alike, this Framed Print adds an air of sophistication and timeless beauty to any space. Experience the rich heritage of London through the lens of one of its most celebrated photographers. Order yours today and bring a piece of history into your home.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > England

> Architecture > Related Images

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Neoclassical Architecture

> Architecture > Styles > Victorian Architecture

> Arts > Art Movements > Neoclassicism

> Arts > Artists > L > Ebenezer Landells

> Arts > Artists > S > Robert Smirke

> Arts > Artists > W > Robert White

> Arts > Portraits > Pop art gallery > Street art portraits


EDITORS COMMENTS
This print showcases the facade of the new British Museum in 1845, captured by the talented artist Ebenezer Landells. Located in Bloomsbury, London, this newly extended building stands as a testament to neoclassical architecture of the 19th century. However, not all critics were impressed with its design. As stated in the "Companion to the Almanac for 1846", an architectural critic expressed their opinion on the museum's progress and design. They described it as progressing slowly but quietly, with a bare and cold architecture that exudes an unfinished air. The critic further criticized its negative merit, claiming that it consisted solely of colonnading without any additional elements. Despite these criticisms, Landells' engraving allows us to appreciate the grandeur and scale of this iconic tourist attraction. Its neo-classical style is evident through its symmetrical composition and imposing columns that line Great Russell Street. As we gaze upon this historical photograph from Illustrated London News in 1845, we are transported back to Victorian England when art and culture flourished amidst architectural debates. This image serves as a reminder of how our perception of beauty can evolve over time while preserving glimpses into our rich heritage.

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