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Framed Print : Portrait of Count Sergey Semionovich Uvarov (1786-1855), Early 1840s. Artist: Vasilyevsky, Alexander Alexeyevich (1794-1849)

Portrait of Count Sergey Semionovich Uvarov (1786-1855), Early 1840s. Artist: Vasilyevsky, Alexander Alexeyevich (1794-1849)



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Portrait of Count Sergey Semionovich Uvarov (1786-1855), Early 1840s. Artist: Vasilyevsky, Alexander Alexeyevich (1794-1849)

Portrait of Count Sergey Semionovich Uvarov (1786-1855), Early 1840s. Found in the collection of the State Tretyakov Gallery, Moscow

Heritage Images features heritage image collections

Media ID 15003995

© Fine Art Images

Uvarov Watercolour On Cardboard


13.5"x11.5" (34x29cm) Premium Frame

Add a touch of historical elegance to your home or office with our Framed Print of the Portrait of Count Sergey Semionovich Uvarov, an early 1840s masterpiece by Russian artist Alexander Alexeyevich Vasilyevsky. This exquisite portrait, featuring Count Uvarov in his formal attire, was originally housed in the State Tretyakov Gallery in Moscow. Our high-quality framed print brings the rich details and vibrant colors of this iconic work to life, making it a stunning addition to any space. Embrace the charm of the past with this beautiful piece of art.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Romanticism

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Still life artwork > Watercolor paintings > Portrait paintings

> Arts > Watercolor paintings > Portrait watercolors > Fine art gallery

> Arts > Watercolor paintings > Portrait watercolors > Watercolor portrait artists

> Arts > Watercolor paintings

> Europe > Russia > Moscow

> Europe > Russia > Paintings

> Europe > Russia > Posters

> Europe > Russia > Related Images


EDITORS COMMENTS
This portrait captures the essence of Count Sergey Semionovich Uvarov, a prominent figure in 19th-century Russia. Painted by Alexander Alexeyevich Vasilyevsky in the early 1840s, this fine art piece showcases Uvarov's commanding presence and intellectual depth. Uvarov, known for his contributions to education and culture during his time as Minister of Education under Tsar Nicholas I, is depicted with an air of elegance and sophistication. The artist skillfully uses watercolour on cardboard to bring out the count's refined features and dignified expression. The rich hues and delicate brushstrokes create a sense of intimacy between the viewer and Uvarov, allowing us to glimpse into his world. His piercing gaze seems to hold secrets untold, hinting at the complexities that lie beneath his composed exterior. Displayed in the State Tretyakov Gallery in Moscow, this painting exemplifies Russian Romanticism at its finest. It not only serves as a testament to Vasilyevsky's artistic prowess but also immortalizes Uvarov's significant role in shaping Russian society. As we admire this remarkable portrait today, we are reminded of Uvarov's lasting legacy as an influential statesman dedicated to advancing education and preserving cultural heritage. This print serves as a poignant reminder of Russia's vibrant history and its remarkable individuals who have left an indelible mark on society.

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