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Framed Print : Chapel Before the Lists, 1857-64. Artist: Dante Gabriel Rossetti

Chapel Before the Lists, 1857-64. Artist: Dante Gabriel Rossetti



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Chapel Before the Lists, 1857-64. Artist: Dante Gabriel Rossetti

Chapel Before the Lists, 1857-64. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

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Media ID 14965914

© The Print Collector

Assistance Chapel Dante Gabriel Dante Gabriel Rossetti Dark Embrace Helmet Helping Kissing Knight Rossetti Shield Studio Publications Studio Volume 69 Tate Gallery Tate London Watercolour On Paper


13.5"x11.5" (34x29cm) Premium Frame

Bring the timeless beauty of art into your home with our exquisite Framed Prints from Media Storehouse. This particular piece showcases Dante Gabriel Rossetti's masterpiece, "Chapel Before the Lists," created between 1857 and 1864. Rossetti's iconic painting, held by the Tate in London, comes to life in this stunning reproduction. With intricate details and vibrant colors, our Framed Prints capture the essence of this Pre-Raphaelite masterpiece. Elevate your decor and add a touch of history to your living space with this beautiful work of art.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 34cm x 29.2cm (13.4" x 11.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Artists > R > Dante Gabriel Rossetti

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Still life artwork > Watercolor paintings > Portrait paintings

> Arts > Watercolor paintings > Portrait watercolors > Fine art gallery

> Arts > Watercolor paintings > Portrait watercolors > Portraits of women in watercolors

> Arts > Watercolor paintings > Portrait watercolors > Watercolor portrait artists

> Arts > Watercolor paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Related Images

> Heritage Images > Pre Raphaelite


EDITORS COMMENTS
In this print titled "Chapel Before the Lists" we are transported back to the 19th century, where artist Dante Gabriel Rossetti skillfully captures a moment of intense emotion and religious devotion. The painting, held by the Tate in London, showcases an interior scene within a chapel. The dark ambiance of the room sets the stage for a dramatic encounter between two women. One woman is dressed in traditional Christian attire, kneeling with her head bowed in prayer. The other woman, adorned with a headdress and holding weapons such as swords and shields, appears to be assisting or comforting her companion. This intriguing juxtaposition of femininity and warfare raises questions about gender roles and societal expectations during that time period. It challenges conventional notions by showcasing strength and assistance from unexpected sources. The embrace between these two figures suggests deep emotional connection amidst turmoil or conflict. Their bond transcends boundaries imposed by their surroundings or circumstances. Rossetti's watercolor technique adds depth to this powerful portrayal of human relationships against a backdrop of war imagery. This artwork serves as a reminder that even in times of strife, compassion can prevail. Displayed at the Tate Gallery, this masterpiece continues to captivate viewers with its thought-provoking concept and exquisite execution. Its inclusion in Studio Volume 69 further solidifies its significance within art history as it remains an enduring symbol of resilience and unity amid chaos.

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