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Framed Print : The Revolution in Sicily - the Sicilians demolishing the Fort of Castellamare at Palermo... 1860. Creator: Unknown
Framed Photos From Heritage Images
The Revolution in Sicily - the Sicilians demolishing the Fort of Castellamare at Palermo... 1860. Creator: Unknown
The Revolution in Sicily - the Sicilians demolishing the Fort of Castellamare at Palermo - from a sketch by T. Nast, 1860. It may be remembered that the demolition of the fort of Castellamare was some time back decreed. On the 3rd of July a number of Palermitans - soldiers, priests, peasants, women, and children - headed by a band of music, went to demolish the works in question, and for several days they laboured at the task with hearty goodwill - lively recollections of the murderous fire of shot and shell which had recently been poured from it on their devoted town proving a sharp sput to their zeal. But as the fort of Castellamare constitutes the only defence of the city towards the sea the work of destruction was suspended by superior order'. From "Illustrated London News", 1860
Heritage Images features heritage image collections
Media ID 36360474
© The Print Collector/Heritage Images
Demolishing Demolition Drinks Expedition Of The Thousand Fort Fortress Masonry Monk Monks Nast Thomas Palermo Palermo Sicily Italy Pick Axe Pick Axes Pickaxe Pickaxes Priest Priests Revolutionaries Revolutionary Risorgimento Thomas Nast Tools Working Man Workman Workmen Castellamare Castello A Mare Fortifications
A2 Premium Frame with A3 Poster
Step back in time with our captivating Framed Print from Media Storehouse, featuring an iconic image of The Revolution in Sicily. Witness the historic moment as the Sicilian people boldly demolish the Fort of Castellamare at Palermo in 1860. This evocative, unknown sketch by T. Nast, sourced from Heritage Images, beautifully captures the spirit of rebellion and change. Add this captivating piece to your home or office to ignite conversations and inspire a sense of history in your space.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
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Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print depicts a pivotal moment during the Revolution in Sicily, as the Sicilians boldly demolish the Fort of Castellamare at Palermo in 1860. The image, based on a sketch by Thomas Nast, captures the spirit of the rebellion as a diverse group of individuals, including soldiers, priests, peasants, women, and children, work together with determination and zeal. Armed with pickaxes and other tools, they labor tirelessly to bring down the fortifications, which had recently unleashed murderous fire on their town. The scene is filled with a sense of unity and purpose, as the Italian people strive to break free from their oppressors. However, the demolition was eventually suspended by superior order due to the fort's strategic importance as the only defense of the city towards the sea. This powerful image is a testament to the courage and resilience of the Sicilian people during the Risorgimento, the Italian unification movement. The print, from the esteemed Illustrated London News, offers a fascinating glimpse into the past, transporting us back to a time of great change and upheaval in Italian history.
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