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Framed Print : Scene from the New Comedy of "The Catspaw", at the Haymarket Theatre, 1850. Creator: Unknown. Scene from the New Comedy of "The Catspaw", at the Haymarket Theatre, 1850. Creator: Unknown

Scene from the New Comedy of 'The Catspaw', at the Haymarket Theatre, 1850. Creator: Unknown. Scene from the New Comedy of 'The Catspaw', at the Haymarket Theatre, 1850. Creator: Unknown



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Scene from the New Comedy of "The Catspaw", at the Haymarket Theatre, 1850. Creator: Unknown. Scene from the New Comedy of "The Catspaw", at the Haymarket Theatre, 1850. Creator: Unknown

Scene from the New Comedy of "The Catspaw", at the Haymarket Theatre, [London], 1850. The announcement of a new comedy by Mr. Douglas Jerrold was an event sure to command attention. In fact, the most lively expectations had been formed of the result. Those expectations were only partially realised. In all Mr. Jerrold's dramatic works there had been manifested a tendency to make construction, and occasionally even the development of character, subordinate to that gentleman's unrivalled powers of writing brilliant dialogue and biting sarcasm. In this new work this tendency was carried to an extent which, but for the merits of the dialogue, might have been fatal to the success of the piece. From "Illustrated London News", 1850

Heritage Images features heritage image collections

Media ID 36199304

© The Print Collector/Heritage Images

Hand Gestures On Stage Show Douglas Jerrold Playhouse


A2 Premium Frame with A3 Poster

Step back in time with our exquisite Framed Print from Media Storehouse, featuring a captivating scene from The Catspaw, an 1850 New Comedy production at the renowned Haymarket Theatre in London. This intriguing image, captured from the annals of history by Heritage Images, showcases an announcement for a new comedy by Douglas Jerrold, a playwright known for his wit and charm. Add a touch of Victorian theatre history to your home or office with this beautifully framed, unknown artist's depiction of this pivotal moment in theatrical history. A perfect addition to any art collection or theatre enthusiast's space.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Artists > W > William White

> Europe > United Kingdom > England > London > Art > Comedy

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > Venues > Playhouse Theatre


EDITORS COMMENTS
This image transports us back to the vibrant world of 19th century London theatre, specifically to a scene from Douglas Jerrold's new comedy 'The Catspaw' performed at the esteemed Haymarket Theatre in 1850. The announcement of Jerrold's latest work had generated immense anticipation, with audiences eagerly awaiting another display of his unparalleled wit and sharp sarcasm. However, as this excerpt from the Illustrated London News suggests, the production did not entirely meet the lofty expectations set by Jerrold's previous works. Here, we see a group of actors, one in a prominent hand gesture, engrossed in their performance. The press, represented by the gentleman in the foreground, scrutinizes their every move, pen in hand, ready to record their observations for the next edition of the Illustrated London News. The engraving, reminiscent of the era's theatrical traditions, offers a glimpse into the rich tapestry of Victorian entertainment, where thespians and the press intertwined in a dance of creation and criticism.

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