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Framed Print : A Scientific Institution. During ye Lecture of an Eminent Savan, 1849. Artist: Richard Doyle
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A Scientific Institution. During ye Lecture of an Eminent Savan, 1849. Artist: Richard Doyle
A Scientific Institution. During ye Lecture of an Eminent Savan, 1849. Richard Owen (1804-1892) British naturalist and anatomist, giving a Friday Evening Discourse on fossils at the Royal Institution, London. Owen made major contributions in the fields of anatomy and paleontology. He was responsible for first coining the word dinosaur (terrible lizard) in 1841 for the fossilized reptiles that had been discovered. Owen was opposed to Darwins theories, believing that natural selection was insufficient to explain evolution. Cartoon from Punch. (London, 1849)
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Media ID 14869512
© Oxford Science Archive / Heritage-Images
Audience Charles Darwin Charles Robert Controversy Darwin Darwinism Dicky Doyle Dinosaur Doyle Evolution Famous People Fossil Lecture Lecture Theatre Lecturer Listening Naturalist Owen Oxford Science Archive Paleontologist Paleontology Professor Professor Sir Richard Owen Richard Richard Doyle Richard Owen Royal Institution Scientist Sir Richard Owen Speaking Zoologist Zoology Wood Engraving
21.5"x17.5" (55x44cm) Premium Frame
Step into the past with our exquisite framed print, "A Scientific Institution. During ye Lecture of an Eminent Savant, 1849" by renowned artists Charles Darwin and Richard Doyle. This captivating piece depicts a scientific institution in full swing, with Richard Owen delivering a lecture to an enthralled audience. A testament to the curiosity and discovery of the Victorian era, this timeless art piece adds an air of sophistication and intellectual charm to any space. Hand-framed to preserve its beauty, this museum-quality print is a must-have for history buffs, art collectors, and those who appreciate the wonders of science and discovery. Bring a piece of history into your home or office today.
Framed and mounted 17x12 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 21.5x17.5 inches (546x444mm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 41.8cm x 41.8cm (16.5" x 16.5")
Estimated Product Size is 54.6cm x 44.4cm (21.5" x 17.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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A Scientific Institution. During ye Lecture of an Eminent Savan, 1849
EDITORS COMMENTS
is a captivating black and white cartoon print that captures the essence of a Friday Evening Discourse on fossils at the Royal Institution in London. The renowned British naturalist and anatomist, Richard Owen, takes center stage as he captivates his audience with his extensive knowledge in zoology. In this satirical depiction by Richard Doyle, we see men from all walks of life gathered attentively in the lecture theatre, hanging onto every word spoken by Professor Owen. The atmosphere is filled with intellectual curiosity and anticipation as they delve into discussions about evolution and paleontology. Owen's significant contributions to anatomy and paleontology are highlighted through his creation of the term "dinosaur" which symbolizes the awe-inspiring fossilized reptiles discovered during that time. However, it is worth noting that despite his expertise in these fields, Owen vehemently opposed Charles Darwin's theories on natural selection as an explanation for evolution. This cartoon print not only showcases the scientific discourse happening within those walls but also reflects the controversy surrounding Darwinism during the 19th century. It serves as a reminder of how different perspectives can coexist within academia while pushing boundaries and advancing our understanding of science. With its intricate wood engraving technique and attention to detail, this historical artwork transports us back to a time when scientific institutions were buzzing with intellectual debates and groundbreaking discoveries. It stands as a testament to both Richard Owen's influence in his field and Richard Doyle's artistic prowess in capturing such moments for posterity.
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