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Framed Print : Sisygambis... Mistakes Hephistion (Hephaestion) for Alexander the Great, 18th century. Artist: Mura, Francesco de

Sisygambis... Mistakes Hephistion (Hephaestion) for Alexander the Great, 18th century. Artist: Mura, Francesco de



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Sisygambis... Mistakes Hephistion (Hephaestion) for Alexander the Great, 18th century. Artist: Mura, Francesco de

Sisygambis, Mother of Darius III, Mistakes Hephistion (Hephaestion) for Alexander the Great, 18th century. After Alexanders (356-323 BC) defeat of the Persian King Darius III (died 331 BC), Dariuss womenfolk were taken to Alexanders tent. Sisigambis speaks to Hephaistion who is the most imposing figure in the group, thinking he is Alexander who is, in fact, the shorter figure

Heritage Images features heritage image collections

Media ID 14859683

© Ann Ronan Picture Library / Heritage-Images

Alexander Iii Of Macedon Alexander The Great Dara Darius Iii Francesco De Helmet Identity Iran Iranian Iskandar Iskander King Of Macedonia Leader Macedonia Macedonian Mistake Persia Persian Short Tall Ann Ronan Pictures Francesco De Mura Hephaestion Mura


13.5"x11.5" (34x29cm) Premium Frame

Add a touch of history to your home or office with our exquisite framed print of "Sisygambis Mistakes Hephaestion for Alexander the Great" by Francesco de Mura. This 18th-century masterpiece depicts a poignant moment from ancient history, where Sisygambis, the mother of Persian King Darius III, mistakes Hephaestion for Alexander the Great in the aftermath of the Battle of Gaugamela. A beautiful blend of intricate details and rich colors, this artwork is a must-have for history enthusiasts and art collectors alike. Frame your piece in our high-quality, handcrafted frame to preserve its beauty and add a timeless elegance to your space.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Francesco de Mura

> Asia > Iran > Related Images

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Macedonia > Posters

> Europe > Macedonia > Related Images

> Historic > Ancient civilizations > Ancient Greece > Greek history


EDITORS COMMENTS
The 18th-century print captures a poignant moment in history as Sisygambis, the mother of Darius III, mistakes Hephaestion for Alexander the Great. After Alexander's triumphant defeat of King Darius III, his womenfolk were brought to his tent. In this scene, Sisygambis approaches Hephaestion, believing him to be her conqueror son. Hephaestion stands tall and imposing among the group, embodying power and authority. The artist skillfully portrays the confusion on Sisygambis' face as she gazes up at him with reverence and love reserved for her own flesh and blood. Little does she know that Alexander is actually the shorter figure beside Hephaestion. This image explores themes of identity and mistaken perception. It reminds us that even those closest to us can sometimes misjudge our true nature or mistake someone else for us entirely. The clash between reality and expectation is palpable in this painting. Francesco de Mura's masterful use of color brings life to every detail - from the intricate dress worn by Sisygambis to the regal helmet adorning Hephaestion's head. Each stroke of oil paint tells a story within itself. As we gaze upon this remarkable artwork, we are transported back in time to witness a pivotal moment in ancient Greece's history unfold before our eyes. It serves as a testament not only to artistic talent but also to humanity's eternal fascination with power dynamics, family bonds, and the complexities of human perception.

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