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Framed Print : The Temple of Edfu: The Door of the Pylon, 1850. Creator: John Frederick Lewis (British

The Temple of Edfu: The Door of the Pylon, 1850. Creator: John Frederick Lewis (British



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The Temple of Edfu: The Door of the Pylon, 1850. Creator: John Frederick Lewis (British

The Temple of Edfu: The Door of the Pylon, 1850. This notable recent acquisition is the work of John Frederick Lewis, who moved to Cairo in 1841 and stayed for almost a decade. He made this drawing on an expedition up the Nile that he took with his wife in 1849-50, around the same time that the first photographers arrived in Egypt. At that time, the temple complex at Edfu was buried to a depth of almost 40 feet. Lewiss watercolour carefully renders the ruins and records the hieroglyphic inscription, but transcends archaeological description to evoke the thrill of exploration and discovery.Photographers, influenced by painters such as David Roberts and Lewis, often chose similar viewpoints and framing for their depictions

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Media ID 19646569

© Heritage Art/Heritage Images

John Frederick Lewis


13.5"x11.5" (34x29cm) Premium Frame

Bring the ancient wonders of Egypt into your home with our exquisite framed print of "The Temple of Edfu: The Door of the Pylon, 1850" by John Frederick Lewis. Captured during his decade-long stay in Cairo, this masterpiece showcases the intricate details and grandeur of Egyptian architecture. The vibrant colors and rich textures of this heritage artwork will transport you back in time, making it a stunning addition to any room in your house. Order now and let the timeless beauty of this iconic image inspire you every day.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 34cm x 29.2cm (13.4" x 11.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Cairo

> Animals > Mammals > Cricetidae > Brush Mouse

> Arts > Artists > L > John Frederick Lewis

> Arts > Artists > R > David Roberts

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Realistic drawings > Graphite art > Fine art

> Arts > Watercolor paintings

> Europe > United Kingdom > England > Cleveland

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings


The Temple of Edfu - The Door of the Pylon, 1850

EDITORS COMMENTS
is a captivating print that showcases the remarkable talent of British artist John Frederick Lewis. This particular artwork was created during Lewis' expedition up the Nile in 1849-50, coinciding with the arrival of photographers in Egypt. Lewis's watercolour painting beautifully captures the ruins of the temple complex at Edfu, which were buried under nearly 40 feet of sand at that time. With meticulous attention to detail, he not only depicts the hieroglyphic inscription but also manages to convey a sense of excitement and wonder associated with exploration and discovery. Influenced by renowned painters like David Roberts and Lewis himself, photographers often adopted similar viewpoints and framing techniques for their depictions. This notable acquisition by The Cleveland Museum of Art exemplifies Lewis's mastery in wash and point brushwork technique using watercolours as well as gouache and graphite mediums. The print allows viewers to appreciate both the historical significance and artistic brilliance captured within this piece. It serves as a testament to Lewis's ability to transcend mere archaeological description, transporting us back in time to experience firsthand the allure and grandeur of ancient Egyptian architecture.

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