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Framed Print : The War Baby published in The Sphere
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The War Baby published in The Sphere
The War Baby published in The Sphere, No. 2071 on the 30th September 1939. Fortunino Matania, Ri (1881-1963). One of the most accomplished realistic illustrators and artists of his time, his wartime work was immensely popular and appeared in nearly every major news magazine, Allied, Neutral and Central Powers alike. Literally tens of millions of readers saw wartime events through the medium of Matanias weekly illustrations and, as such, he played an important role in defining peoples mental image of what Great War battlefield scenes and soldiers looked like. Date: 1939
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Media ID 11397978
© David Cohen Fine Art/Mary Evans Picture Library
1881 1963 30th Accomplished Alike Allied Appeared Battlefield Defining Fortunino Illustrations Illustrators Immensely Important Literally Looked Major Matania Matanias Medium Mental Millions Neutral News Played Powers Readers Realistic Role Sphere Tens Weekly Artists
A2 Premium Frame with A3 Poster
Add a piece of historical art to your home decor with our Framed Prints from Media Storehouse. This exquisite piece, "The War Baby published in The Sphere," showcases the exceptional talent of Fortunino Matania, one of the most accomplished realistic illustrators and artists of the 20th century. Originally published in The Sphere magazine on September 30, 1939, this poignant image captures the spirit of resilience and hope amidst the uncertainty of war. Each Framed Print is meticulously crafted with high-quality materials and comes ready to hang, making it an excellent addition to any room in your home or office. Elevate your space with a touch of history and artistry.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The War Baby,
EDITORS COMMENTS
a poignant illustration published in The Sphere's No. 2071 on September 30, 1939, is a powerful representation of the human impact of war by the renowned Italian-born artist, Fortunino Matania. As one of the most accomplished realistic illustrators and artists of his time, Matania's wartime work was immensely popular and graced the pages of nearly every major news magazine, regardless of allegiance. With tens of millions of readers bearing witness to his weekly illustrations, Matania played an essential role in shaping the collective mental image of Great War battlefield scenes and soldiers. In "The War Baby," Matania masterfully captures the tender moment between a soldier and his newborn child, juxtaposing the innocence of new life against the harsh realities of war. The soldier's uniform and weary expression underscore the stark contrast between the safety and warmth of home and the chaos and danger of the battlefield. The mother's protective gaze and the child's innocent gaze up at his father further emphasize the importance of family and love amidst the horrors of war. Matania's work during this period was instrumental in providing a humanizing perspective on the war effort, allowing readers to connect with the experiences of soldiers and their families. Born in 1881, Matania's career spanned over eight decades, and his contributions to defining the visual narrative of the Great War remain a testament to his artistic talent and the enduring power of illustration as a medium for storytelling.
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