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Framed Print : Modern Athenians plate 1 - Edinburgh

Modern Athenians plate 1 - Edinburgh



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Modern Athenians plate 1 - Edinburgh

Alexander Youngson on the left hand plate, approaching John Sheriff, alias Dr. Syntax, on the right hand plate. Youngson was apparently not happy about being depicted with Dr. Syntax, whose name was " doubtless bestowed from the remarkable likeness he showed to the figure so called in Rowlandsons coloured prints, published about the year 1815. Dressed with the most scrupulous care and cleanliness, in an antiquated costume of semi-military character with highly polished Hessian boots, he was to be seen every Sunday staling at a rapid pace through the streets with his cane poised on his shoulder. He rendered himself still more grotesque by wearing a pair of green spectacles and a remarkably low-crowned hat - probably a cast-off one of Dr. John Ritchie s, the well-known voluntary church controversialist."

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Media ID 4409694

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10285639

1839 Alexander Antiquated Athenians Edinburgh Poised Rowlandson Sheriff Syntax Walk


13.5"x11.5" (34x29cm) Premium Frame

Introducing the captivating Modern Athenians Framed Print from Media Storehouse, featuring Plate 1 - Edinburgh by Rights Managed from Mary Evans Prints Online. This exquisite artwork showcases a humorous encounter between Alexander Youngson and John Sheriff, alias Dr. Syntax, in the stunning backdrop of Edinburgh. Each print is meticulously framed to enhance the intricate details and vibrant colors of the original illustration. Bring a touch of history and whimsy to your home or office with this unique and charming addition to your decor. Order yours today and join the Modern Athenians on their journey through the iconic cities of the past.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 34cm x 29.2cm (13.4" x 11.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > John Ritchie

> Arts > Contemporary art > Modern art > Street art

> Arts > Modern art pieces

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > Scotland > Edinburgh > Edinburgh

> Europe > United Kingdom > Scotland > Lothian > Edinburgh

> Popular Themes > Edinburgh


EDITORS COMMENTS
This image, titled "Modern Athenians Plate 1 - Edinburgh," showcases a lively encounter between two notable figures of Edinburgh society in the late 1830s. On the left hand plate, we find Alexander Youngson, a man known for his impeccable attire and distinctive appearance. Youngson, who was not thrilled about being depicted in this print alongside John Sheriff, alias Dr. Syntax, is shown approaching the latter on the right hand plate. Youngson's appearance is described as meticulously dressed in an antiquated semi-military costume, complete with highly polished Hessian boots. His grotesque appearance is further enhanced by his green spectacles and a low-crowned hat, which was likely a cast-off from Dr. John Ritchie, a well-known voluntary church controversialist. The name "Dr. Syntax" was bestowed upon Sheriff due to his remarkable resemblance to the figure in Rowlandson's coloured prints, which were published around 1815. Sheriff, dressed in a simple coat and trousers, is shown with a cane poised on his shoulder, ready for a brisk walk through the streets of Edinburgh. Despite their contrasting styles, both men were well-known figures in the city. Youngson's displeasure at being associated with Dr. Syntax is evident, but the scene captures the vibrant and diverse social landscape of Edinburgh in the 1830s. This plate, created in 1839, offers a fascinating glimpse into the past and the intriguing characters that populated the streets of this historic city.

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