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1450s Collection

In the vibrant 1450s, a wave of cultural and historical milestones swept across the world

Background image1450s Collection: Gutenbergs printing press, 1450s

Gutenbergs printing press, 1450s
Gutenberg and Fust with the first printing press, Germany, 1450s. Hand-colored woodcut of a 19th-century illustration

Background image1450s Collection: Gutenberg Bible page

Gutenberg Bible page
Page of the Gutenburg Bible. Color lithograph reproduction of the document

Background image1450s Collection: Griffon preaching to the Maronites of Mount Lebanon

Griffon preaching to the Maronites of Mount Lebanon
Griffon, preaching to the Maronites of Mount Lebanon, is aided by a miracle -- God moves the sun so that its rays illumine the church from the east, not the west

Background image1450s Collection: JACOMART, Jaume Ba糬called (1410-1461). Altarpiece

JACOMART, Jaume Ba糬called (1410-1461). Altarpiece
JACOMART, Jaume Ba糬 called (1410-1461). Altarpiece

Background image1450s Collection: Louis XI of France (engraving)

Louis XI of France (engraving)
1577059 Louis XI of France (engraving); (add.info.: Engraving of Louis XI of France (1423-1483) monarch of the House of Valois who ruled as King of France

Background image1450s Collection: Imperial gate, Topkapi Palace

Imperial gate, Topkapi Palace
1577408 Imperial gate, Topkapi Palace; (add.info.: Imperial gate, 15th century Topkapi Palace, Constantinople, Turkey. Primary residence of the Ottoman sultans.); Universal History Archive/UIG.

Background image1450s Collection: Charles the Bold (engraving)

Charles the Bold (engraving)
1577060 Charles the Bold (engraving); (add.info.: Engraving of Charles the Bold (1433-1477) Duke of Burgundy from 1467 to 1477. He was the last Valois Duke of Burgundy

Background image1450s Collection: The Gutenberg Bible

The Gutenberg Bible
529809 The Gutenberg Bible; (add.info.: First major book printed with a movable type printing press in the West, marking the start of the "Gutenberg Revolution")

Background image1450s Collection: 1459 tombstone made of white limestone in the Rostov museum, Rostov Velikii, 1911

1459 tombstone made of white limestone in the Rostov museum, Rostov Velikii, 1911.

Background image1450s Collection: Saint Jerome in His Study, 1451. Creator: Antonio da Fabriano II

Saint Jerome in His Study, 1451. Creator: Antonio da Fabriano II
Saint Jerome in His Study, 1451. Saint Jerome (ca. 347-420 CE) was one of the four Latin Fathers of the Church (the others being Saint Augustine, Ambrose)

Background image1450s Collection: A King and a Monk (recto); Text (verso); Folio from an Uttaradhyayanasutra, c1450. Creator: Unknown

A King and a Monk (recto); Text (verso); Folio from an Uttaradhyayanasutra, c1450. Creator: Unknown
A King and a Monk (recto); Text (verso); Folio from an Uttaradhyayanasutra, c1450

Background image1450s Collection: The Arhat Kalika, between 1450 and 1500. Creator: Unknown

The Arhat Kalika, between 1450 and 1500. Creator: Unknown
The Arhat Kalika, between 1450 and 1500

Background image1450s Collection: Virgin and Child, 1450-1460. Creator: Giovanni Francesco da Rimini

Virgin and Child, 1450-1460. Creator: Giovanni Francesco da Rimini
Virgin and Child, 1450-1460

Background image1450s Collection: A Dolphin (Shishumara) Attacks a Woman, Folio from a Yashodhara Charita (Life of Yashodhara)

A Dolphin (Shishumara) Attacks a Woman, Folio from a Yashodhara Charita (Life of Yashodhara), 1454. Creator: Unknown
A Dolphin (Shishumara) Attacks a Woman, Folio from a Yashodhara Charita (Life of Yashodhara), 1454

Background image1450s Collection: Flemish Carrack

Flemish Carrack Date: circa 1450

Background image1450s Collection: Adoration of the Magi, c. 1450 (paint and ink on vellum)

Adoration of the Magi, c. 1450 (paint and ink on vellum)
986371 Adoration of the Magi, c.1450 (paint and ink on vellum) by Netherlandish School, (15th century); 21x14.5 cm; Private Collection; (add.info.: Adoration of the Magi)

Background image1450s Collection: A large historiated A with a depiction of the Ascension, c

A large historiated A with a depiction of the Ascension, c
986277 A large historiated A with a depiction of the Ascension, c.1450 (inks, paint and gold leaf on vellum) by Torelli, Filippo di Matteo (1409-68) (attributed to)

Background image1450s Collection: Very large historiated letter A, showing the Resurrection, c

Very large historiated letter A, showing the Resurrection, c
986166 Very large historiated letter A, showing the Resurrection, c.1400-1450 (coloured inks and gold leaf on vellum) by Tuscan School (15th century); 56.7x39 cm; Private Collection; (add.info)

Background image1450s Collection: The Presentation in the Temple (oil on panel)

The Presentation in the Temple (oil on panel)
827722 The Presentation in the Temple (oil on panel) by Master of the Iserlohn Altar (fl.c.1450-60); 40x27 cm; Private Collection; (add.info.: The Presentation in the Temple)

Background image1450s Collection: Fragment of a work produced by Gutenberg

Fragment of a work produced by Gutenberg
Fragment of an historical work produced by Gutenberg on his first printing press. Date: 1455

Background image1450s Collection: Christopher Columbus (1451-1506). Maritime explorer. Discoverer of American. Portrait of Jose Roldan

Christopher Columbus (1451-1506). Maritime explorer. Discoverer of American. Portrait of Jose Roldan
Christopher Columbus (1451-1506). Explorer, navigator and colonizer. Discoverer of American. Portrait of Jose Roldan. Monastery of La Rabida. Andalusia. Spain

Background image1450s Collection: Latin grammar page from Gutenbergs press

Latin grammar page from Gutenbergs press
Page of the " Grammaire Latine" by Donatus, published by Gutenberg. Woodcut with a watercolor wash

Background image1450s Collection: Printing the Gutenberg Bible, 1453

Printing the Gutenberg Bible, 1453
The first proof sheet from Gutenbergs press, 1453. Hand-colored woodcut of a 19th-century illustration

Background image1450s Collection: Decorated Text Page Bruges illuminated Belgium

Decorated Text Page Bruges illuminated Belgium
Decorated Text Page; Bruges (illuminated), Belgium; 1450s; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 26.4 x 18.4 cm (10 3, 8 x 7 1, 4 in.)

Background image1450s Collection: Duke of York taking oath to be faithful to Henry VI

Duke of York taking oath to be faithful to Henry VI
Richard, Duke of York, forced to take an oath of allegiance at St Pauls Cathedral to be faithful to Henry VI. 1452

Background image1450s Collection: PPRT2A-00006

PPRT2A-00006
Gutenbergs printing press, Mainz, Germany, 1450s. Hand-colored woodcut of a 19th-century illustration

Background image1450s Collection: PPRT2A-00002

PPRT2A-00002
Johannes Gutenberg examining a proof. Hand-colored engraving of a 19th century illustration

Background image1450s Collection: Initial O: The Martyrdom of Saint Erasmus

Initial O: The Martyrdom of Saint Erasmus; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Background image1450s Collection: Initial V: The Virgin and Child with Saint Anne

Initial V: The Virgin and Child with Saint Anne; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Background image1450s Collection: Initial O: The Martyrdom of Saint Sebastian

Initial O: The Martyrdom of Saint Sebastian; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Background image1450s Collection: Initial O: Saint Christopher Carrying the Christ Child

Initial O: Saint Christopher Carrying the Christ Child; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Background image1450s Collection: Initial V: Saint Apollonia with a Book and Tongs

Initial V: Saint Apollonia with a Book and Tongs; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Background image1450s Collection: Initial E: Saint Margaret and a Dragon

Initial E: Saint Margaret and a Dragon; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Background image1450s Collection: Initial O: Saint Barbara before a Tower

Initial O: Saint Barbara before a Tower; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Background image1450s Collection: Initial V: Saint Catherine Holding a Sword over a King

Initial V: Saint Catherine Holding a Sword over a King; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Background image1450s Collection: The Nativity and The Annunciation to the Shepherds

The Nativity and The Annunciation to the Shepherds; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Background image1450s Collection: The Virgin and Child Enthroned with a Kneeling Woman

The Virgin and Child Enthroned with a Kneeling Woman; Master of Wauquelins Alexander or workshop, Flemish, active about 1440 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors

Background image1450s Collection: Initial O: The Virgin and Child Enthroned

Initial O: The Virgin and Child Enthroned; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Background image1450s Collection: Initial O: The Pieta with Saint John the Evangelist

Initial O: The Pieta with Saint John the Evangelist; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Background image1450s Collection: Office of the Dead

Office of the Dead; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Background image1450s Collection: The Gutenberg Bible. First major book printed with a movable type printing press

The Gutenberg Bible. First major book printed with a movable type printing press, marking the start of the " Gutenberg Revolution" and the age of the printed book

Background image1450s Collection: NEW YEAR CARD, 1450. A New Years card depicting the Christ Child and the Virgin Mary

NEW YEAR CARD, 1450. A New Years card depicting the Christ Child and the Virgin Mary. The earliest known holdiay greeting. German woodcut, c1450

Background image1450s Collection: PPRT2A-00003

PPRT2A-00003
Page of Gutenbergs 42-line Bible, printed in the 1450s, probably the first use of movable type. Color lithograph reproduction



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In the vibrant 1450s, a wave of cultural and historical milestones swept across the world. Johannes Gutenberg's groundbreaking invention, the printing press, revolutionized communication as it brought forth an era of mass production for books and knowledge dissemination. The Gutenberg Bible page stands as a testament to this pivotal moment in human history. Meanwhile, on Mount Lebanon, Griffon preached fervently to the Maronites, spreading his message with passion and conviction. In Spain, Jaume Baçcalled JACOMART crafted an exquisite altarpiece that showcased his artistic brilliance. Across the seas, Flemish Carracks sailed majestically through uncharted waters. These sturdy vessels were symbols of exploration and trade during this period of maritime expansion. Back in England, amidst political turmoil between factions loyal to Henry VI and Richard Plantagenet (Duke of York), a solemn oath was taken by the Duke to remain faithful to King Henry VI. In another part of Europe, Christopher Columbus emerged as a prominent figure—a maritime explorer who would later discover America. A portrait captures him in all his adventurous spirit—his eyes filled with determination and curiosity. Artistic masterpieces also flourished during this time. The "Massacre of the Innocents" miniature depicted heart-wrenching scenes on vellum using ink, paint, and gold leaf techniques around 1450. Similarly captivating was the "Adoration of Magi, " showcasing intricate details painted delicately on vellum surfaces. The beauty continued within illuminated manuscripts where historiated letters adorned pages like jewels; one such example featured an awe-inspiring depiction of Ascension while another displayed Resurrection imagery—an homage to religious devotion. Lastly, the Presentation in Temple oil painting transported viewers into biblical times with its vivid colors and meticulous brushstrokes—capturing both spiritual reverence and artistic excellence simultaneously. The 1450s encapsulated an extraordinary chapter in our shared history—one marked by technological advancements like the printing press, artistic brilliance, maritime exploration, and political upheaval.