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Saint Jerome in His Study, 1451. Creator: Antonio da Fabriano II
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Saint Jerome in His Study, 1451. Creator: Antonio da Fabriano II
Saint Jerome in His Study, 1451. Saint Jerome (ca. 347-420 CE) was one of the four Latin Fathers of the Church (the others being Saint Augustine, Ambrose, and Gregory the Great) and renowned for his learning, distilled in his translation of the Bible into Latin. The image of the saint in his study was popular during the 1400s, especially with scholars and men of the Church
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Media ID 36370491
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Desk Eusebius Sophronius Hieronymus Gold Leaf Grey Hair Historian Jerome Saint Jerome St Orange Orange Colour Saint Hieronymus Saint Jerome Scholar St Hieronymus St Jerome Studious Theologian Theology Translator Walters Art Museum 1450s Santo Tempera
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Saint Jerome in His Study,
EDITORS COMMENTS
a captivating masterpiece by the Italian artist Antonio da Fabriano II, dates back to the 1450s and offers a glimpse into the life of one of the most revered figures in Christian history. Saint Jerome (ca. 347-420 CE), depicted here in a full-length portrait, was a renowned scholar, theologian, and Bible translator, earning him a place among the four Latin Fathers of the Church. The painting captures the saint in a contemplative moment, seated at his study, surrounded by the tranquility of an indoor setting. The room is adorned with an elegant orange-coloured decor, furnished with a grand desk, and adorned with gold leaf and metal accents. Saint Jerome, with his long grey beard and flowing robes, is engrossed in his work, his facial expression reflecting deep concentration. The central focus of the painting is the saint's desk, cluttered with various books, parchments, and writing tools. Among them, a prominent volume lies open, symbolizing Jerome's dedication to the translation of the Bible into Latin. The presence of Eusebius Sophronius Hieronymus, Jerome's scribe, is suggested in the background, adding to the studious atmosphere of the scene. The use of tempera oil and gold leaf on wood panel adds to the painting's rich heritage and historical significance. The meticulous attention to detail, from the intricate textures of the fabric to the lifelike portrayal of the saint, makes "Saint Jerome in His Study" a testament to the artistic prowess of Antonio da Fabriano II during the Renaissance period. This evocative image of Saint Jerome, with its warm orange hues and gold accents, continues to inspire and captivate viewers, inviting them to contemplate the depth of knowledge and devotion embodied by this esteemed figure in Christian history.
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