1480 Collection

WAR IN HEAVEN, 1480. War in Heaven - the Beast (Revelation XII, 7-10 and Revelation XIII): woodcut from the Cologne Bible, 1478-80

Angel playing a lute, Melozzo da Forli
Melozzo da Forli (1438-1494). Italian painter. Fresco depicting an Angel playing a lute. From the Church of the Twelve Holy Apostles. Pinacoteca Vaticana. Vatican City. Date: circa 1480

Eye of Horus. False door of Senenmut. Egypt
False door of Senenmut, architect and official government. Detail of the Eye of Horus. Sandstone. New Kingdom. 18th Dynasty. 1480-1460 BC. West Thebes. Neues Museum. Berlin. Germany

BALaM AND ASS. Balaams ass perceives the angel of the Lord, unseen to Balaam (Numbers: 22-24). Woodcut from the Cologne Bible, 1478-80

Saint Barbara, c. 1470, by Master of the Statues of Koudewat
Master of the Statues of Koudewater (active c. 1460-1480). Statue of Saint Barbara, c. 1470. Rijksmuseum. Amsterdam. Holland

French 15th Century, A Miracle of Saint Benedict, c. 1480, oil on oak

Workshop of Master of the Cologne Arms, Saint Roche, 1480 or after, metalcut

Sultan Mehmed II of the Ottoman Empire by Gentile Bellini
Mehmed II (1432-1481) (commonly known as Mehmed the Conqueror - Turkish: Fatih Sultan Mehmet) - Ottoman Sultan who ruled from August 1444 to September 1446 - portrait

Arms and female hands, c. 1480. Creator: Leonardo da Vinci (1452-1519)
Arms and female hands, c. 1480. Found in the Collection of Royal Collection, London

Panel of a diptych: The Virgin and Child with Saint Anne, c.1480. Creator: Memling, Hans (1433/40-1494)
Panel of a diptych: The Virgin and Child with Saint Anne, c.1480. Found in the collection of the Alte Pinakothek, Munich

Portrait of a young Woman, 1480-1499. Creator: Anon
Portrait of a young Woman, 1480-1499

The Genealogical Tree of the Dominicans, 1480/1490. Creator: Unknown
The Genealogical Tree of the Dominicans, 1480/1490

Christ as the Man of Sorrows, c. 1480. Creator: Unknown
Christ as the Man of Sorrows, c. 1480

Saint Michael the Archangel with Two Donors. Circle of Juan Rius (documented between 1457-1482) and Domingo Ram (documented between 1462-1496). circa 1465-1480. Aragonese School

Saint Jerome in his Study. Detail. Castilian School
Master of the Parral (active 1480-1500). Saint Jerome in his Study. Detail. Castilian School, about 1480-1490. Lazaro Galdiano Museum. Madrid. Spain

Saint Jerome in his Study. Castilian School, about 1480-1490
Master of the Parral (active 1480-1500). Saint Jerome in his Study. Castilian School, about 1480-1490. Lazaro Galdiano Museum. Madrid. Spain

The Colleoni Statue, Venice
An etching of the Equestrian statue of Bartolomeo Colleoni, within the Campo Santi Giovanni e Paolo, a city square in Venice, Italy. The sculpture was made circa 1480, by Andrea del Verrocchio

Cessna 182J ZK-CKZ (msn 18256864). Safety Patrol 1480, sponsored by Rothmans. Date: circa 1970

Book of the Dead. Fragment. Egypt
Fragment of a text of the Book of the Dead. Ink on papyrus. Around 1480 BC. 18th Dynasty. New Kingdom. British Museum. London. United Kingdom

The Old Fountain in the Minories, London, so solidly built that three horses were needed to pull the timbers apart when it was demolished in 1793. Date: built circa 1480

Mazer Bowl (circa 1480) called the Foundress Cup at Pembroke College Cambridge (engraving)
6006884 Mazer Bowl (circa 1480) called the Foundress Cup at Pembroke College Cambridge (engraving) by English School, (19th century); Private Collection; (add.info)

The Adoration of the Magi: The Virgin in the Grotto, c. 1475-80 (engraving)
659469 The Adoration of the Magi: The Virgin in the Grotto, c.1475-80 (engraving) by Mantegna, Andrea (1431-1506) (school of); 38.5x28.6 cm; Private Collection; Photo eChristies Images; Italian

Saint Sebastian, c. 1480 (tempera on canvas)
5650088 Saint Sebastian, c.1480 (tempera on canvas) by Mantegna, Andrea (1431-1506); 255x140 cm; Louvre, Paris, France; Bulloz / eNPL - DeA Picture Library; Italian, out of copyright

Nativity polyptych, 1511, by Defendente Ferrari (1480 or 1485-1540)
3484457 Nativity polyptych, 1511, by Defendente Ferrari (1480 or 1485-1540), Abbey of St Anthony of Ranverso, Buttigliera Alta, Piedmont, Italy, 16th century by Ferrari

Angel playing lute, 1480, Fresco by Melozzo da Forli (1438-1494), Detached fresco from Ascension of Christ fresco
1257889 Angel playing lute, 1480, Fresco by Melozzo da Forli (1438-1494), Detached fresco from Ascension of Christ fresco, Italy, 15th century by Forli

Effigy of Guillaume le May. 1480 (engraving)
672164 Effigy of Guillaume le May. 1480 (engraving) by English School, (19th century); Private Collection; (add.info.: Effigy of Guillaume le May. 1480)

Order Of The Thistle, instituted about 1480 (engraving)
2814682 Order Of The Thistle, instituted about 1480 (engraving) by English School, (19th century); Private Collection; (add.info.: Order Of The Thistle, instituted about 1480)

Victoria And Albert Museum: Triptych, serving as a Reliquary, in carved ivory, about 1480 (engraving)
6011297 Victoria And Albert Museum: Triptych, serving as a Reliquary, in carved ivory, about 1480 (engraving) by English School, (19th century); Private Collection; (add.info.: Triptych)

Advertisement of Books sold by Anton Koburger, printed at Nuremberg, c 1480 (litho)
2787018 Advertisement of Books sold by Anton Koburger, printed at Nuremberg, c 1480 (litho) by English School, (19th century); Private Collection; (add.info)

From the Dyalogus Creaturarum, printed at Gouda by Gerard Leeu in 1480 (litho)
2787005 From the Dyalogus Creaturarum, printed at Gouda by Gerard Leeu in 1480 (litho) by English School, (19th century); Private Collection; (add.info.: From the Dyalogus Creaturarum)

Christ Teaching His Disciples, Within an Initial I, c
986339 Christ Teaching His Disciples, Within an Initial I, c.1480 (illuminated manuscript on vellum) by Pellegrino di Mariano (15th century) (circle of); 17.5x13.5 cm; Private Collection; (add.info)

The Holy Trinity: God the Father in His Majesty Enthroned, Holding Orb and Sceptre
986338 The Holy Trinity: God the Father in His Majesty Enthroned, Holding Orb and Sceptre, Represented with Three Faces, Within an Initial B

Sir Thomas More, b 1480, d 1535 (engraving)
978646 Sir Thomas More, b 1480, d 1535 (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Thomas More, b 1480, d 1535)

Vue generale de Rhodes, a vol d oiseau, en 1480 (engraving)
3644808 Vue generale de Rhodes, a vol d oiseau, en 1480 (engraving) by French School, (19th century); Private Collection; (add.info.: Vue generale de Rhodes, a vol d oiseau, en 1480)

From the Latin Psalter printed by Caxton between 1480 and 1483 (litho)
2786999 From the Latin Psalter printed by Caxton between 1480 and 1483 (litho) by English School, (19th century); Private Collection; (add.info)

Lorenzo de Medici, having made peace with the King of Naples, being received in Florence in 1480
LLM461653 Lorenzo de Medici, having made peace with the King of Naples, being received in Florence in 1480 by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info.: Lorenzo de Medici)

The Annunciation of the Shepherds, c. 1480 (paint on vellum)
986051 The Annunciation of the Shepherds, c.1480 (paint on vellum) by Vrelant, Willem (15th century) (follower of); 26.8 19 cm; Private Collection; (add.info)

The Battle of Auray on 29 September 1364 (Miniature from Compillation... c. 1480
The Battle of Auray on 29 September 1364 (Miniature from Compillation des cronicques et ystoires des Bretons), c. 1480. Found in the collection of Bibliotheque Nationale de France

ROYAL CHESS FRANCE
King Louis XI of France, on the right - plays chess at his chateau of Plessis-les- Tours Date: circa 1480

CIRCA 1480 BEGGAR
A beggar and her bowl. Date: circa 1480

OLD MEDIEVAL WOMAN
An elderly woman using crutches. Date: circa 1480

Automated turnspit: the upper one is moved by a counterweight, the lower one by hot air, c. 1480. Found in the Collection of Veneranda Biblioteca Ambrosiana

Pieta with two angels, 1480. Creator: Berruguete, Pedro (1450-1503)
Pieta with two angels, 1480. Found in the Collection of Pinacoteca di Brera, Milan

Saint Leonard, c. 1480. Creator: Anonymous
Saint Leonard, c. 1480. Found in the Collection of Slovak National Gallery, Bratislava

Portrait of Doge Giovanni Mocenigo, c. 1480. Creator: Bellini, Gentile (ca. 1429-1507)
Portrait of Doge Giovanni Mocenigo, c. 1480. Found in the Collection of Museo Correr, Venice

Celestial spheres, planets and zodiacs. Miniature from the Livre des proprietes des choses, c
Celestial spheres, planets and zodiacs. Miniature from the Livre des proprietes des choses by Bathelemy l Anglais, c. 1480. Found in the Collection of Bibliotheque Nationale de France

Annunciation to the shepherds: country dance. From Heures de Charles d Angouleme, c. 1480. Found in the Collection of Bibliotheque Nationale de France

The Virgin and Child, 1480. Creator: Antonello da Messina (ca 1430-1479)
The Virgin and Child, 1480. Found in the Collection of Accademia Carrara, Bergamo

Angel playing a violin, c. 1480. Melozzo da Forli (1438-1494
Melozzo da Forli (1438-1494). Italian painter. Fresco depicting an Angel playing a violin, c. 1480. From the Church of the Twelve Holy Apostles. Pinacoteca Vaticana. Vatican City

The Divine Comedy. Dante and Virgil in Hell. Folio 25 r. 148
The Divine Comedy. Poem by Dante Alighieri (1265-1321). Miniature depicting Dante and Virgil in Hell. The meeting of Dante with Farinata degli Uberti and Cavalcante de Cavalcanti. Folio 25 r

False door of Senenmut. Egypt
False door of Senenmut, architect and official government. Sandstone. New Kingdom. 18th Dynasty. 1480-1460 BC. West Thebes. Neues Museum. Berlin. Germany

Leonardo da Vinci (1452 A?i? 1519). The Madonna of the Carn
Leonardo da Vinci (1452 A?i? 1519) was an Italian Renaissance polymath. The Madonna of the Carnation. 1478-1480. Virgin Mary is holding a carnation. Alte Pinakothek. Munich. Germany

The Seven Joys of the Virgin, 1480, by Hans Memling (1435 / 14
Hans Memling (1435/1440-1494). Flemish painter. The Seven Joys of the Virgin, 1480. Detail of the Adoration of Three Magi. Alte Pinakothek. Munich. Germany

MET DE BLES, Henri. Copper mines
MET DE BLES, Henri (1480-1550). Landscape with coppper mines. Detail of the foundry. 16th century. Renaissance art. Oil on wood. CZECH Rep.. Prague. National Gallery in Prague

Leonardo da Vincis diagram of a typographical press with automatic page-feeder. Manuscript, c1480-1482
LEONARDO: PRINTING PRESS. Leonardo da Vincis diagram of a typographical press with automatic page-feeder. Manuscript, c1480-1482

Medieval Porter
The porter or warder, gate keeper of a castle, with his mastiff and his mighty club to discourage unwelcome visitors, his horn to sound a warning, and of course his keys. Date: 1480

ARMOR: HELMET, c1480. Visored sallet with bevor, South German

Portrait of a Young Woman, 1480, after Hans Memling. From L Illustration, published 1936

St Jerome St Catherine Alexandria Saint Jerome
St Jerome and St Catherine of Alexandria, Saint Jerome and Sainte Catherine, De hl. Hieronymus and the hl. Catherine sits on a turf bench that is shielded from the landscape behind by a rose hedge

Mary Magdalene Saint Mary Magdalene standing
Mary Magdalene, Saint Mary Magdalene, standing with the ointment jar in the right hand. The penitent harlot Mary Magdalene, possible attributes: book (or scroll), crown, crown of thorns, crucifix

Saint Cosmas Damian half figure perhaps Damian
Saint Cosmas (or Damian), half figure of Saint Cosmas (or perhaps Damian), a square ointment box in hand. urinal, Bartolommeo Vivarini (attributed to), 1460 - 1480, panel

Portrait Charles Bold Duke Burgundy Charlemagne
Portrait of Charles the Bold, Duke of Burgundy, Portrait of Charlemagne, Duke of Burgundy. Standing to the right, full length on a tiled floor. Around the neck the chain of the Golden Fleece

Portrait Philip Good Duke Burgundy Standing left
Portrait of Philip the Good, Duke of Burgundy, Duke of Burgundy. Standing, to the left, full length on a tiled floor. Around the neck the chain of the Golden Fleece. Top right the family crest

Saint Damian Cosmas half-figure perhaps Cosmas
Saint Damian (or Cosmas), half-figure of Saint Damian (or perhaps Cosmas) in the hand a round ointment box. urinal, Bartolommeo Vivarini (attributed to), 1465 - 1480, panel

Madonna Child Mary blessing Christ child standing
Madonna and Child, Madonna with Child. Mary with the blessing Christ child standing on her lap, Madonna: i.e. Mary with the Christ-child, Giovanni Bellini (attributed to), 1470 - 1480, panel

King Melchior Three Magi Pointing Star fragment
King Melchior, one of the Three Magi, Pointing at the Star, fragment from An Adoration of the Magi, Caspar or Melchior, one of the three kings

Face Christ Face Christ portraits c 1480 1510
Face of Christ Face of Christ, portraits or Christ, anonymous, c. 1480 - c. 1510, paper, engraving, h 104 mm × w 70 mm

wedding Cana Group people table Mary points Christ
The wedding in Cana, Group of people at the table. Mary points Christ to five empty jars, Mary tells Christ that there is no more wine, marriage-feast at Cana, anonymous, Nederlanden, 1480 - 1500

flight Egypt falling idol Mary Christ child donkey
The flight to Egypt with the falling idol, Mary with Christ child on donkey. Joseph walks beside it. Image of soldier on column has fallen off, the flight into Egypt: Mary, Joseph

Edificij et machine Martini Francesco di Giorgio
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480, The volume comprises 103 drawings by Francesco di Giorgio Martini and his assistants

Folio 15 mill Edificij et machine MS Martini
Folio 15 mill, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Mill powered crank Edificij et machine MS Martini
Mill powered by crank, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 40 mill horizontal water wheel Edificij et
Folio 40 mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 13 mill powered water siphon Edificij et
Folio 13 mill powered by water from siphon, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 10 piston pumps water wheel Edificij et
Folio 10 piston pumps and water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 22 mill powered undershot water wheel Edificij et
Folio 22 mill powered by undershot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 39 mill horizontal water wheel Edificij et
Folio 39 mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 43 mill powered horse Edificij et machine
Folio 43 mill powered by horse, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 44 mill powered horizontal wheel Edificij et
Folio 44 mill powered by horizontal wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 40 mill overshot water wheel Edificij et
Folio 40 mill with overshot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Mill horizontal water wheel Edificij et machine
Mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 5 two piston pumps Edificij et machine
Folio 5 two piston pumps, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Two mills wheel Edificij et machine MS Martini
Two mills with wheel between, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 14 mill undershot water wheel Edificij et
Folio 14 mill with undershot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

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"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies, where heavenly battles unfold and saints come to life. In 1480, a year filled with intrigue and artistic marvels, history reveals its enigmatic secrets. The Eye of Horus gazes upon us, an emblem of protection and divine power. As we venture further, the False Door of Senenmut beckons us to explore hidden realms beyond our mortal existence. Amidst celestial turmoil in the War in Heaven, the Beast emerges from Revelation's pages. Melozzo da Forli's angelic lute-playing resonates with ethereal melodies that echo through time. Behold Saint Barbara, her beauty captured by the Master of the Statues of Koudewat. Her story intertwines with Balaam's ass who perceives an unseen angel—a reminder that even animals can sense divine presence. Ferdinand Magellan sets sail on his daring expedition across uncharted waters while French artists depict miracles unfolding before our eyes. The Workshop of Master Cologne Arms immortalizes Saint Roche as he offers solace during times of plague. Saint Michael the Archangel stands tall alongside two generous donors—his sword raised against evil forces. Castilian School portrays Saint Jerome immersed in study; his wisdom transcends centuries within intricate details. And finally, The Colleoni Statue guards Venice's streets—an enduring symbol of strength and leadership amidst turbulent times. In this tapestry woven by history itself, 1480 invites us to unravel its enigmas and immerse ourselves in a world where artistry merges with spirituality—a captivating journey through time like no other.