1606 Collection (page 2)

Rembrandt Laughing Rembrandt Harmensz van Rijn
Rembrandt Laughing; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); Netherlands; about 1628; Oil on copper; 22.2 × 17.1 cm (8 3, 4 × 6 3, 4 in.)

Daniel Cyrus Idol Bel Rembrandt Harmensz van Rijn
Daniel and Cyrus before the Idol Bel; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); 1633; Oil on panel; 23.5 × 30.2 cm (9 1, 4 × 11 7, 8 in.)

Young Scholar Tutor Workshop Rembrandt Harmensz
A Young Scholar and his Tutor; Workshop of Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1629 - 1630; Oil on canvas; 104.6 × 88.9 cm (41 3, 16 × 35 in.)

Glaucus Scylla Laurent de La Hyre French 1606
Glaucus and Scylla; Laurent de La Hyre (French, 1606 - 1656); about 1640-1644; Oil on canvas; 146.4 x 118.4 cm (57 5, 8 x 46 5, 8 in.)

Diana Nymphs Landscape Laurent de La Hyre French
Diana and Her Nymphs in a Landscape; Laurent de La Hyre (French, 1606 - 1656); 1644; Oil on canvas; 100 × 134.1 cm (39 3, 8 × 52 13, 16 in.)

St Bartholomew Rembrandt Harmensz van Rijn Dutch
St. Bartholomew; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); Netherlands; 1661; Oil on canvas; 86.7 × 75.6 cm (34 1, 8 × 29 3, 4 in.)

Landscape Holy Family Rest Flight Egypt Alessandro Algardi
Landscape with the Holy Family (Rest on the Flight into Egypt); Alessandro Algardi (Italian, 1598 - 1654), and Giovanni Francesco Grimaldi (Italian)

Personification September Joachim von Sandrart
Personification of September; Joachim von Sandrart (German, 1606 - 1688); about 1644; Black chalk and brown wash, heightened with gray chalk, incised for transfer; 28.7 x 23.8 cm (11 5, 16 x 9 3)

Female Nude Karel van Mander Dutch 1548 1606
Female Nude; Karel van Mander (Dutch, 1548 - 1606); Holland; about 1590; Pen and brown ink and grayish brown wash over black chalk; 19.8 x 12.2 cm (7 13, 16 x 4 13, 16 in.)

Charity Studies Entablatures recto Frieze Putti
Charity and Studies of Entablatures (recto); Frieze of Putti (verso); Paolo Farinati (Italian, 1524 - 1606); Italy; about 1580; Pen and brown ink, brown wash

Study Man Talking Woman Seated Left Rembrandt Harmensz
Study of a Man Talking to a Woman Seated on the Left; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1635 - 1636; Pen and brown ink; 10 x 10 cm (3 15, 16 x 3 15, 16 in.)

Artist Studio Rembrandt Rembrandt Harmensz van Rijn
An Artist in His Studio; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1630; Pen and brown ink; 20.5 x 17 cm (8 1, 16 x 6 11, 16 in.)

Sailing Boat Wide Expanse Water Rembrandt Harmensz
A Sailing Boat on a Wide Expanse of Water; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1650; Pen and brown ink and brown wash, on tinted paper; 8.9 x 18.3 cm (3 1, 2 x 7 3, 16 in.)

Wooded Road Rembrandt Rembrandt Harmensz van Rijn
A Wooded Road; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1650; Pen and brown ink and brown wash on paper toned with brown wash

Landscape House Little Tower Rembrandt Harmensz
Landscape with the House with the Little Tower; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1651; Pen and brown ink, brush and brown wash; 9.7 x 21.4 cm (3 13, 16 x 8 7, 16 in.)

Flowers Glass 1606 Ambrosius Bosschaert Dutch
Flowers in a Glass, 1606. Ambrosius Bosschaert (Dutch, 1573-1621). Oil on copper; framed: 60.3 x 52.8 x 6.4 cm (23 3/4 x 20 13/16 x 2 1/2 in.); unframed: 35.6 x 29.3 cm (14 x 11 9/16 in.)

Portrait Antipope Alexander V 1574-1576 Tobias Wolff
Portrait of Antipope Alexander V, c. 1574-1576. Tobias Wolff (German, 1606). Kelheim stone (fine-grained limestone); diameter: 4.2 cm (1 5/8 in.)

Midas King Phrygia Nicolas Mignard Mignard d Avignon
Midas, King of Phrygia; Nicolas Mignard (Mignard d Avignon) (French, 1606 - 1668); about 1655; Black chalk with traces of white chalk, squared in black chalk; 42.4 × 26 cm (16 11, 16 × 10 1, 4 in.)

Madonna Bowl 1606 Annibale Carracci Italian 1560-1609
Madonna with the Bowl, 1606. Annibale Carracci (Italian, c. 1560-1609). Etching

Peter Bruegel 1606 Aegidius Sadeler Flemish 1570-1629
Peter Bruegel, 1606. Aegidius Sadeler (Flemish, c. 1570-1629), after Bartholomaeus Spranger (Flemish, 1546-1611). Engraving; sheet: 30.1 x 20.4 cm (11 7/8 x 8 1/16 in.)

Christ Canaanite Woman Rembrandt Harmensz van Rijn
Christ and the Canaanite Woman; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1650; Pen and brown ink, brown wash, corrected with white gouache; 20 × 27.9 cm (7 7, 8 × 11 in.)

Eighteen Views Huzhou 1500s Song Xu Chinese 1525
Eighteen Views of Huzhou, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; overall: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Hexi 1500s Song Xu Chinese
Eighteen Views of Huzhou: Hexi, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Yutai Peak Jade Terrace Peak
Eighteen Views of Huzhou: Yutai Peak (Jade Terrace Peak), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Fushan Monastery 1500s
Eighteen Views of Huzhou: Fushan Monastery, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Huanglong Cave Yellow Dragon Cave
Eighteen Views of Huzhou: Huanglong Cave (Yellow Dragon Cave), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Dong Grotto Mountain
Eighteen Views of Huzhou: Mt. Dong (Grotto Mountain), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Wuzhan 1500s Song Xu
Eighteen Views of Huzhou: Mt. Wuzhan, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Biyan Green Cliff 1500s
Eighteen Views of Huzhou: Mt. Biyan (Green Cliff), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Daochang 1500s Song Xu
Eighteen Views of Huzhou: Mt. Daochang, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Xianding Immortals Peak
Eighteen Views of Huzhou: Xianding (Immortals Peak), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Fenghuang Phoenix 1500s
Eighteen Views of Huzhou: Mt. Fenghuang (Mt. Phoenix), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Bilang Lake 1500s Song Xu
Eighteen Views of Huzhou: Bilang Lake, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Xiaomei 1500s Song Xu Chinese
Eighteen Views of Huzhou: Xiaomei, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Changchao 1500s Song Xu
Eighteen Views of Huzhou: Mt. Changchao, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Xintang Immortals Peak
Eighteen Views of Huzhou: Xintang (Immortals Peak), 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Mt Shenchang 1500s Song Xu
Eighteen Views of Huzhou: Mt. Shenchang, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Lüshan Hui 1500s Song Xu
Eighteen Views of Huzhou: Lushan Hui, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Baoyang Lake 1500s Song Xu
Eighteen Views of Huzhou: Baoyang Lake, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Eighteen Views Huzhou Guiyun Shrine 1500s Song Xu
Eighteen Views of Huzhou: Guiyun Shrine, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)

Expulsion Paradise 1606 Jan Wierix Flemish 1549-aft 1615
The Expulsion from Paradise, c. 1606. Jan Wierix (Flemish, c. 1549-aft 1615). Pen and brown ink, framing lines in brown ink; sheet: 9.5 x 12.4 cm (3 3/4 x 4 7/8 in.); image

Virgin Bowl 1606 Annibale Carracci Italian 1560-1609
Virgin with the Bowl, 1606. Annibale Carracci (Italian, c. 1560-1609). Engraving

QUEIROS: RELATION. Italian edition of Pedro Fernandez de Queiros eighth Memorial to Philip III of Spain, describing his voyages of 1606 to the lands to Terra Australis in the South Pacific

Guy Fawkes - Conspirator of the Gunpowder Plot
Guy Fawkes (1570-1606) - member of a group of provincial English Catholics who planned the failed Gunpowder Plot of 1605. Date: circa 1606

Rembrandts Mother as Biblical Prophetess Hannah by REMBRANDT, Harmenszoon van Rijn, called (1606-1669). Baroque art

Christof Von Galen
CHRISTOF BERNHARD von GALEN Prince-bishop of Munster, depicted in secular dress, with a bishops mitre over his head but also swords, to show he was a warrior too ! Date: 1606 - 1678

Pieter Francois
PIETER (Pierre) FRANCOIS (Franchoys) Flemish artist from Malines Date: 1606 - 1654

Giovanni Andrea Doria
GIOVANNI ANDREA DORIA Genoese naval commander, great-nephew and heir of the famous admiral), commander of the squadron of Sicily at the battle of Lepanto, 1571. Date: 1540 - 1606

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"Exploring the World of 1606: A Glimpse into Rembrandt's Era" Step back in time to the year 1606, a period filled with intrigue and artistic brilliance. Dutch painter Rembrandt van Rijn, born in this very year, would go on to become one of history's most celebrated artists. His masterpiece "A Man in Armour, " painted in 1655, showcases his exceptional talent for capturing human emotion on canvas. Meanwhile, another work by Rembrandt from 1641 takes us to the Dutch countryside with "The Windmill. " This etching transports us to a simpler time when windmills dotted the landscape and served as symbols of industry and innovation. As we delve further into this era, a map of Europe from the 17th century reveals a continent undergoing significant political changes. It was during these times that conspirators plotted against kings and queens – such as those involved in the infamous Gunpowder Plot of 1605. Across the Atlantic Ocean lies an entirely different world depicted on a map from that same century. The New World beckons explorers with its vast unknown territories waiting to be discovered. Fast forward centuries later, we encounter locomotive No. 1606 coupled to an ambulance train during World War II. This powerful machine symbolizes progress and resilience amidst challenging times. Returning once again to artistry, we find Rembrandt immortalizing himself through self-portraits like "REMBRANDT / LIZ 1906 Self portrait. " These introspective works allow us glimpses into his personal life and creative process. Traveling eastward brings us face-to-face with Japan through Jodocus Hondius' engraved map created for Gerardus Mercator's Atlas edition of 1606. Here we witness how cartography shaped our understanding of distant lands while revealing Korea as an island – reflecting historical perceptions at that time.