1606 Collection (page 8)

Plate 103 Neptune Sending Deluge Troy Neptunus ob violatum
Artokoloro

Drawings Prints, Print, Allegorial, Composition, Figures, Working, According, Architectural
Drawings and Prints, Print, Allegorial Composition with Figures Working According to an Architectural Plan, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670

Drawings Prints, Print, Noli Me Tangere, Passion Christ, plate 25, Artist, Gregoire Huret
Drawings and Prints, Print, Noli Me Tangere, from The Passion of Christ, plate 25, The Passion of Christ, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670

Drawings Prints, Print, St. Charlemagne, St. Louis, Artist, Gregoire Huret, French
Drawings and Prints, Print, St. Charlemagne and St. Louis, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670, 17th century, 1620, 1670

Plate 116 Battle Lapithae Centaurs Caeneus Perithoi nuptijs
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Plate 86 Birth Hercules Iuno compresz genibus Alcumenae partum differt
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Drawings Prints, Print, Rinaldo Armida, Publisher, Artist, Johannes Caspeel, Pieter
Drawings and Prints, Print, Rinaldo and Armida, Publisher, Artist, After, Johannes Caspeel, Pieter de Jode II, Anthony van Dyck, Flemish, ca. 1600-1655, Flemish, 1606-ca

Plate 31 view column Trajan shown pedestal dug out
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Drawings Prints, Print, Christ Disciples, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris
Drawings and Prints, Print, Christ and his Disciples, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670, 17th century, 1620, 1670

Plate 148 Aesculapius Speaking Romans Epidauro
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Plate 110 Morpheus Ceyx Appearing Alcyone Morpheus Ceycis corpus Halcyoni representat
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Plate 98 Metamorphosis Adonis Apri dente Adonis interimitur
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Plate 101 Bacchus Granting Midas Wish Ob restitutum Silenum Midae
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Plate 130 Scylla Glaucus Deus marinus effectus Glaucus Scyllae nuptias ambit
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Plate 109 Iris Giving Sleep Juno Command Somno Iunonis mandata exponit
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Portrait Christian IV King Denmark Decorated Oval
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Plate 29 Bacchus Changing Kidnappers Monsters
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Plate 145 Hersilia Heavens Hersilia Romuli coniunx
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Drawings Prints, Print, Prodigal Son, Artist, Publisher, Pieter, de, Jode, II, Johannes Meyssens
Drawings and Prints, Print, The Prodigal Son, Artist, Publisher, Pieter de Jode II, Johannes Meyssens, Flemish, 1606-ca. 1674, Flemish, Brussels 1612-1670 Antwerp, Jode, Pieter de II, Meyssens

Plate119 Death Ajax Aiax moretm Sibi consciscens
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Plate 117 Dispute Achilles Armor Disceptatio inter Aiacem et Ulyssem propter arma
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Madonna Child Saints Elizabeth John Baptist Madonna della Scodella
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Plate 33 Apollo Vulcan Forge Coniugis furtum Sol Vulcano detegit
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Drawings Prints, Print, Cardinal, le, Bret?, oval, allegorigal, figures, battle, scene
Drawings and Prints, Print, Cardinal (le Bret?) in oval with allegorigal figures and a battle scene, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670

Drawings Prints, Print, Taste, Artist, Publisher, Gilles Rousselet, Gregoire Huret
Drawings and Prints, Print, Taste, Artist, Publisher, After, Gilles Rousselet, Gregoire Huret, Pierre Mariette, French, Paris 1614-1686 Paris, French, Lyon 1606-1670 Paris, French, 1596-1657

Apollo Clytie 1606 Etching second state two Robert-Dumesnil
Artokoloro

1606, Hondius and Mercator Map of Mexico, topography, cartography, geography, land
1606, Hondius and Mercator Map of Mexico

1606, Mercator Map of Holland, The Netherlands, topography, cartography, geography
1606, Mercator Map of Holland, The Netherlands

1606, Mercator Hondius Map of the Arctic, First Map of the North Pole, topography
1606, Mercator Hondius Map of the Arctic, First Map of the North Pole

MAP: IRELAND, 1606. Baptista Boazios map of Ireland. Engraving, published by Abraham Ortelius, 1606

SHAKESPEARE: KING LEAR. Lear and the Fool in Act III, Scene 2 of William Shakespeares King Lear. Engraving, 19th century

Paolo Farinati, Italian (1524-1606), The Emperor Aulus Vitellius, pen and brown ink with brown and gray wash heightened with white over black chalk on laid paper

Alessandro Casolani, Italian (1552-1606), Study of a Female Nude, black and white chalk on blue-green paper

Karel van Mander I (Netherlandish, 1548-1606), The Departure of the Prodigal Son, pen and brown ink with brown wash heightened with white on laid paper

Pieter Jansz Quast, Dutch (1606-1647), Lady Seen from Behind, graphite on vellum

Rembrandt van Rijn, The Angel Appearing to the Shepherds, Dutch, 1606-1669, 1634, etching, burin and drypoint

Rembrandt van Rijn, Self-Portrait, Frowning, Dutch, 1606-1669, 1630, etching

Rembrandt van Rijn, The Three Trees, Dutch, 1606-1669, 1643, etching, with drypoint and burin, on white paper

Rembrandt van Rijn, Peter and John Healing the Cripple at the Gate of the Temple, Dutch, 1606-1669, 1659, etching, drypoint and burin

Rembrandt van Rijn, Abraham Entertaining the Angels, Dutch, 1606-1669, 1656, etching and drypoint on japan paper

Rembrandt van Rijn, The Pancake Woman, Dutch, 1606-1669, 1635, etching

Rembrandt van Rijn, The Card Player, Dutch, 1606-1669, 1641, etching

Rembrandt van Rijn, Woman Reading, Dutch, 1606-1669, 1634, etching

Rembrandt van Rijn, Dutch (1606-1669), The Mill, 1645-1648, oil on canvas

Sir Peter Paul Rubens, Flemish (1577-1640), Marchesa Brigida Spinola Doria, 1606, oil on canvas

Rembrandt van Rijn (Dutch, 1606 - 1669), Medea, or the Marriage of Jason and Creusa, 1648, etching, with touches of drypoint, on European (white) paper

Rembrandt van Rijn (Dutch, 1606 - 1669), Faust, c. 1652, etching, drypoint and burin

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"Exploring the World of 1606: A Glimpse into Rembrandt's Era" Step back in time to the year 1606, a period filled with intrigue and artistic brilliance. Dutch painter Rembrandt van Rijn, born in this very year, would go on to become one of history's most celebrated artists. His masterpiece "A Man in Armour, " painted in 1655, showcases his exceptional talent for capturing human emotion on canvas. Meanwhile, another work by Rembrandt from 1641 takes us to the Dutch countryside with "The Windmill. " This etching transports us to a simpler time when windmills dotted the landscape and served as symbols of industry and innovation. As we delve further into this era, a map of Europe from the 17th century reveals a continent undergoing significant political changes. It was during these times that conspirators plotted against kings and queens – such as those involved in the infamous Gunpowder Plot of 1605. Across the Atlantic Ocean lies an entirely different world depicted on a map from that same century. The New World beckons explorers with its vast unknown territories waiting to be discovered. Fast forward centuries later, we encounter locomotive No. 1606 coupled to an ambulance train during World War II. This powerful machine symbolizes progress and resilience amidst challenging times. Returning once again to artistry, we find Rembrandt immortalizing himself through self-portraits like "REMBRANDT / LIZ 1906 Self portrait. " These introspective works allow us glimpses into his personal life and creative process. Traveling eastward brings us face-to-face with Japan through Jodocus Hondius' engraved map created for Gerardus Mercator's Atlas edition of 1606. Here we witness how cartography shaped our understanding of distant lands while revealing Korea as an island – reflecting historical perceptions at that time.