1642 Collection (page 6)

Plate 6 two seated pilgrims laying down left
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Epileptics Walking Left Pilgrimage Epileptics
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Drawings Prints, Print, Cupid, Elysian, Fields, tied, tree, centre, surrounded many figures
Drawings and Prints, Print, Cupid in the Elysian Fields tied to a tree in the centre, surrounded by many figures, Publisher, Artist, Pietro Stefanoni, Giulio Bonasone, Italian, Valstagna ca

Plate 1 cartouche series title Caprice faict par de la Bella
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Muff white kerchief mask 1642 Reproduction Prints
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Infant Jesus 1642 Etching second state two Sheet
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holy family 1642 Etching state 8 x 6 3 / 16 20. 3 15. 7 cm
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Plate 11 old man sitting ground left peasant woman
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Noble Artist Painting Louis XIII ca 1642 Etching
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Plate 10 peasant woman turned towards right child
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Frontispiece New Testament Greek 1642 Engraving
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Drawings Prints, Print, Erigone, leaning, platter, grapes, lifting, piece, cloth
Drawings and Prints, Print, Erigone leaning over a platter of grapes and lifting a piece of cloth with both hands, after Reni, Cabinet Crozat, Artist, After, Engraved by, Guido Reni

Drawings Prints, Print, Judith, standing, looking, up, holding, head, Holofernes
Drawings and Prints, Print, Judith standing and looking up, holding the head of Holofernes in her left hand and a sword in her right, tents in the background, after Reni, Artist, After, Guido Reni

Plate 8 seated horse right turned left three
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Plate 6 two women nursing child seated next dog
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Drawings Prints, Print, Virgin, prayer, oval, frame, Reni, Artist, Publisher, Guido Reni
Drawings and Prints, Print, The Virgin in prayer in an oval frame, after Reni, Artist, Publisher, After, Anonymous, Guido Reni, Guillaume Vallet, Italian, Bologna 1575-1642 Bologna, French

Plate 3 La Place Royale equestrian statue Louis XIII
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Drawings Prints, Print, Virgin, looking, upwards, hands, crossed, chest, Reni, Artist
Drawings and Prints, Print, The Virgin looking upwards with hands crossed over her chest, after Reni, Artist, After, Engraved by, Guido Reni, Domenico Cunego, Italian, Bologna 1575-1642 Bologna

Drawings Prints, Print, Study Giant, Artist, Bartolomeo Coriolano, Guido Reni, Italian, Bologna, ca
Drawings and Prints, Print, Study of a Giant, Artist, After, Bartolomeo Coriolano, Guido Reni, Italian, Bologna ca. 1599-ca

Plate 13 two peasants standing left cripple kneeling
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Plate 2 La Place Dauphine coast Pont Neuf equestrian statue
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Plate 10 horseman woman riding towards right
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Sculptor Presenting Statue Venus Cupid 1642 Etching
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Douer Dover 1642 Etching second state two Sheet
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Alliance Peace Abundance Guido Reni 1642 Chiarsoscuro woodcut
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Plate 2 ship right rowboat left washed up shore
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Epileptics Walking Left 1642 Engraving Sheet
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Plate 8 two horsemen hats right woman seated
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Two Cherubs Arms Cardinal Richelieu 1642 Etching
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Drawings Prints, Print, Christ, giving, keys, church, Saint, Peter, kneels, before
Drawings and Prints, Print, Christ giving the keys of the church to Saint Peter who kneels before him, after Guido Reni, Artist, After, Gian Battista Bolognini, Guido Reni, Italian

Plate 5 two pilgrims hats rest left horseman rides towards
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Douer Dover 1642 Etching first state two Plate
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Drawings Prints, Drawing, Capriccio, Bridge, Arcus, Argentariorum Mediterranean Harbor
Drawings and Prints, Drawing, Capriccio of a Bridge with the Arcus Argentariorum by a Mediterranean Harbor, Artist, Johannes Abrahamsz Beerstraten, Dutch, Amsterdam 1622-1666 Amsterdam, Beerstraten

Plate 11 resting donkey horse foal right windmill
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Drawings Prints, Print, Saint, Christopher, walking, infant, Christ, left, shoulder
Drawings and Prints, Print, Saint Christopher walking with the infant Christ on his left shoulder, counterproof, Artist, Guido Reni, Italian, Bologna 1575-1642 Bologna, Reni, Guido, Italian, 1575

Allegorical Figure Purity Unicorn Putto recto
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Aretino Studio Tintoretto 1848 Oil canvas 17 3 / 8 x 14 1 / 8
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Isaac Blessing Jacob 1642 Oil canvas 39 5 / 8 x 50 1 / 2
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Portrait Woman 1642 Oil canvas 34 3 / 8 x 28 87. 3 71. 1 cm
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Raising Lazarus small plate 1642 Etching first state
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Title Page Comedies Terence Publii Terentii Comoediae
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Painter ca 1642 Etching first state two Sheet
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Intaglio Printers 1642 Etching Sheet 10 11 / 16 x 13 3 / 8
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Two Fools Dancing Two Three Fools Carnival 1642
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Self-Portrait Flat Cap Embroidered Dress ca 1642
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Sculptor 1642 Etching Sheet 10 15 / 16 x 13 9 / 16
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Plate 4 deer hunt two horsemen galloping towards
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St Jerome Dark Chamber 1642 Etching Prints Rembrandt
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In the year 1642, a pivotal chapter in British history unfolded. Oliver Cromwell stood resolute at Edgehill, marking the commencement of the English Civil War. As battles raged on and tensions escalated, the nation found itself torn apart by conflicting ideologies. Amidst this turmoil, Guido Reni's masterpiece "The Assumption of the Virgin Mary" emerged as a beacon of hope and solace. Painted in 1575 but still resonating with its timeless beauty, it offered comfort to those seeking divine intervention during these troubled times. While war ravaged Britain's landscape, another genius was quietly shaping our understanding of science and mathematics. Sir Isaac Newton began his groundbreaking work that would revolutionize physics and lay the foundation for modern scientific thought. Yet amidst all this progress and chaos, spirituality remained an integral part of people's lives. Sir Isaac Newton himself penned "Religio Medici, " delving into his personal beliefs while grappling with questions about faith and reason. Meanwhile, Prince Rupert sought refuge at Oxford University as he strategized against his adversaries. The city became a hub for intellectual discourse amidst political upheaval. Beyond Britain's borders, Richelieu savored Champagne while navigating treacherous diplomatic waters as France played its own role in European affairs. Across continents in Padua, Galileo demonstrated his revolutionary theories through meticulous observations from his observatory. His discoveries challenged long-held beliefs about celestial bodies and forever altered our perception of the universe. Back home in England once more, Charles I made a fateful decision to enter Hull—a move that would ultimately escalate tensions between him and Parliament further down an irreversible path towards civil war. As we reflect upon 1642 today, let us remember how this tumultuous year shaped not only British history but also laid the groundwork for scientific advancements that continue to shape our world centuries later.