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1642 Collection (page 8)

In the year 1642, a pivotal chapter in British history unfolded. Oliver Cromwell stood resolute at Edgehill, marking the commencement of the English Civil War

Background image1642 Collection: Vignola (author) and anonymous engraver after Philips Vingboons (Italian, 1507 - 1573)

Vignola (author) and anonymous engraver after Philips Vingboons (Italian, 1507 - 1573), Dutch Facade Elevation: pl. 3, c. 1642, engraving on laid paper

Background image1642 Collection: Guido Reni (Italian, 1575 - 1642), The Head of Christ, c

Guido Reni (Italian, 1575 - 1642), The Head of Christ, c. 1623, black, red, and white chalks on gray-green laid paper

Background image1642 Collection: Frans Francken the Younger (Flemish, 1581 - 1642), An Artists Studio [recto]

Frans Francken the Younger (Flemish, 1581 - 1642), An Artists Studio [recto], pen and brown ink with brown wash over black chalk on laid paper

Background image1642 Collection: Michel Corneille, The Purification of Aeneas, French, 1642 - 1708, c

Michel Corneille, The Purification of Aeneas, French, 1642 - 1708, c. 1663, pen and brown ink with blue wash over traces of graphite, on cream laid paper, squared in graphite for transfer

Background image1642 Collection: The infant Christ prefiguring the passion / BFCA. Reni, Guido, 1575-1642, artist

The infant Christ prefiguring the passion / BFCA. Reni, Guido, 1575-1642, artist, between ca. 1600 and 1750, chiaroscuro woodcut

Background image1642 Collection: POSTHUMOUS MASK OF SIR ISaC NEWTON, 25 December 1642 - 20 March 1726, was an English

POSTHUMOUS MASK OF SIR ISaC NEWTON, 25 December 1642 - 20 March 1726, was an English physicist, mathematician, astronomer, natural philosopher, alchemist and theologian

Background image1642 Collection: Return of the prodigal son, Abraham Dircksz Santvoort, Dirck Pietersz Pers, 1642

Return of the prodigal son, Abraham Dircksz Santvoort, Dirck Pietersz Pers, 1642

Background image1642 Collection: Abundance with lap full of flowers and wheat sheaf and image of Mercury, Cornelis van Dalen

Abundance with lap full of flowers and wheat sheaf and image of Mercury, Cornelis van Dalen (I), Lowijs Elzevier (III), 1642

Background image1642 Collection: Figures before a Village Inn, Cornelis Saftleven, 1642

Figures before a Village Inn, Cornelis Saftleven, 1642

Background image1642 Collection: Interior of a Stable with three Children, Isaac van Ostade, 1642

Interior of a Stable with three Children, Isaac van Ostade, 1642

Background image1642 Collection: Willem II, 1626-50, Prins van Oranje, attributed to Alexander Cooper, 1640 - 1642

Willem II, 1626-50, Prins van Oranje, attributed to Alexander Cooper, 1640 - 1642, Portrait miniature

Background image1642 Collection: Portrait of a Woman, Abraham de Vries, c. 1642

Portrait of a Woman, Abraham de Vries, c. 1642

Background image1642 Collection: The holy family at night, workshop of Rembrandt Harmensz. van Rijn, c. 1642 - c. 1648

The holy family at night, workshop of Rembrandt Harmensz. van Rijn, c. 1642 - c. 1648

Background image1642 Collection: Perseus and Andromeda. Allegory of the liberation of the Netherlands by Prince Frederik

Perseus and Andromeda. Allegory of the liberation of the Netherlands by Prince Frederik Hendrik, attributed to Pieter Symonsz. Potter, 1642

Background image1642 Collection: Family Group Portrait, Pieter Codde, 1642

Family Group Portrait, Pieter Codde, 1642

Background image1642 Collection: Denial of Saint Peter, Leonaert Bramer, 1642

Denial of Saint Peter, Leonaert Bramer, 1642

Background image1642 Collection: Portrait of James Lawrence, Theodor Matham, Johannes Philippus Pareus, 1642

Portrait of James Lawrence, Theodor Matham, Johannes Philippus Pareus, 1642

Background image1642 Collection: Naked Fortuna globe rotates the wheel of fortune around, print maker: Cornelis van

Naked Fortuna globe rotates the wheel of fortune around, print maker: Cornelis van Dalen I, Franciscus Hackius, 1642

Background image1642 Collection: Physician with staff wrapped by snake and pomegranate, birds and dragon, Cornelis

Physician with staff wrapped by snake and pomegranate, birds and dragon, Cornelis van Dalen I, Franciscus Hackius, 1642

Background image1642 Collection: Power as female soldier in armor with lion, Cornelis van Dalen (I), Lowijs Elzevier (III)

Power as female soldier in armor with lion, Cornelis van Dalen (I), Lowijs Elzevier (III), 1642

Background image1642 Collection: Summer, print maker: Hendrick Hondius I, Josse van Liere possibly, Joachim Ottens

Summer, print maker: Hendrick Hondius I, Josse van Liere possibly, Joachim Ottens, 1642 and or 1698 - 1720

Background image1642 Collection: Visit of Queen Henrietta Maria to Adriaen Peacock on the Slot Heemstede, 1642, Anonymous

Visit of Queen Henrietta Maria to Adriaen Peacock on the Slot Heemstede, 1642, Anonymous, Claes Jansz. Visscher (II), 1642

Background image1642 Collection: Portrait of Joannes Buingha, mathematician and accountant, Willem Willemsz Stam, 1642

Portrait of Joannes Buingha, mathematician and accountant, Willem Willemsz Stam, 1642

Background image1642 Collection: Bartolomeo Coriolano (Italian, ca. 1599-1676) after Guido Reni (Italian, 1575 - 1642)

Bartolomeo Coriolano (Italian, ca. 1599-1676) after Guido Reni (Italian, 1575 - 1642). Sibyl, ca. 1640. Chiaroscuro woodcut printed from two blocks in grey-green and black

Background image1642 Collection: Holy Family with an Angel

Holy Family with an Angel; Guido Reni, Italian, 1575 - 1642; mid - late 1590s; Pen and brown ink; 14.1 x 20 cm (5 9/16 x 7 7/8 in.)

Background image1642 Collection: Nativity (recto), Turbaned Woman (verso)

Nativity (recto), Turbaned Woman (verso); Guido Reni, Italian, 1575 - 1642; Italy, Europe; about 1640 - 1642; Black, red and white chalk (recto); red chalk (verso); Reduced at corners

Background image1642 Collection: Landscape with Allegories of the Four Elements

Landscape with Allegories of the Four Elements; Jan Brueghel the Younger, Flemish, 1601 - 1678, Frans Francken the Younger, Flemish

Background image1642 Collection: Still Life with Dead Birds

Still Life with Dead Birds; Christoffel van den Berghe, Flemish, about 1590 - after 1642; 1624; Oil on canvas; Unframed: 72.4 x 100.3 cm (28 1/2 x 39 1/2 in.)

Background image1642 Collection: Virgin and Child with Saint John the Baptist

Virgin and Child with Saint John the Baptist; Guido Reni, Italian, 1575 - 1642; Italy, Europe; about 1640 - 1642; Oil on canvas; Unframed: 172.7 x 142.2 cm (68 x 56 in.)

Background image1642 Collection: Joseph and Potiphars Wife

Joseph and Potiphars Wife; Guido Reni, Italian, 1575 - 1642; Italy, Europe; about 1630; Oil on canvas; Unframed: 128.9 x 170 cm (50 3/4 x 66 15/16 in.)

Background image1642 Collection: Table

Table; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1680; Oak veneered with marquetry tortoise shell, pewter, brass, ebony, horn, ivory

Background image1642 Collection: Mantel Clock (Pendule)

Mantel Clock (Pendule); Movement maker Paul Gudin, French, active about 1729 - 1755, Case attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France

Background image1642 Collection: Wall Clock (pendule d alcove)

Wall Clock (pendule d alcove); Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France

Background image1642 Collection: Cabinet on Stand

Cabinet on Stand; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666, and medallions after Jean Varin, French, 1596 - 1672; Paris, France

Background image1642 Collection: Chandelier

Chandelier; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1710; Gilt bronze; Object: H: 77.5 x D: 81.3 cm (H: 2 ft. 6 1/2 in. x D: 2 ft)

Background image1642 Collection: Two Coffers on Stands

Two Coffers on Stands; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1684 - 1689; Oak, cypress, and walnut veneered with tortoise shell

Background image1642 Collection: Wall Light (Bras de lumiere)

Wall Light (Bras de lumiere); Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1700 - 1715; Gilt bronze; Object: H: 56 x W: 35.6 x D: 24.9 cm (1 ft)

Background image1642 Collection: Cabinet (Cabinet des Medailles)

Cabinet (Cabinet des Medailles); Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1710 - 1715; Oak and fir veneered with ebony, amaranth

Background image1642 Collection: Box

Box; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666, and perhaps Gobelins Manufactory, French, active 1662 - present; Paris, France

Background image1642 Collection: Pair of Gueridons

Pair of Gueridons; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; about 1680; Oak veneered with ebony, tortoise shell, blue painted horn, brass, and pewter

Background image1642 Collection: Pair of Pedestals

Pair of Pedestals; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1700; Fir, oak and walnut veneered with ebony

Background image1642 Collection: Long-Case Clock (regulateur)

Long-Case Clock (regulateur); Case attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666, and movement signed by Antoine Gaudron, French, master 1675, jure 1699

Background image1642 Collection: Sir Francis Walsingham Inscribed, upper left, identifying the sitter, but not the artist

Sir Francis Walsingham Inscribed, upper left, identifying the sitter, but not the artist, John de Critz, ca. 1552/3 -1642, British

Background image1642 Collection: Ludwig von Siegen (Dutch, 1609-probably 1680), Amelia Elizabeth, Countess of Hesse

Ludwig von Siegen (Dutch, 1609-probably 1680), Amelia Elizabeth, Countess of Hesse, 1642, mezzotint

Background image1642 Collection: Jan Fyt (Flemish, 1611-1661), Landscape with Greyhound and Rifle, 1642, etching

Jan Fyt (Flemish, 1611-1661), Landscape with Greyhound and Rifle, 1642, etching

Background image1642 Collection: Gerrit van Schagen after Jacques Callot (Dutch, c. 1642-1690 or after), The Hanging

Gerrit van Schagen after Jacques Callot (Dutch, c. 1642-1690 or after), The Hanging, etching and engraving

Background image1642 Collection: Hendrik Hondius I after Pieter Bruegel the Elder (Dutch, 1573-1649 or after), Two

Hendrik Hondius I after Pieter Bruegel the Elder (Dutch, 1573-1649 or after), Two Bagpipe Players, 1642, engraving

Background image1642 Collection: ZURBURAN: SAINT CASILDA. Santa Casilda of Toledo

ZURBURAN: SAINT CASILDA. Santa Casilda of Toledo. Oil on canvas, 1638-42, by Francisco de Zurburan



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In the year 1642, a pivotal chapter in British history unfolded. Oliver Cromwell stood resolute at Edgehill, marking the commencement of the English Civil War. As battles raged on and tensions escalated, the nation found itself torn apart by conflicting ideologies. Amidst this turmoil, Guido Reni's masterpiece "The Assumption of the Virgin Mary" emerged as a beacon of hope and solace. Painted in 1575 but still resonating with its timeless beauty, it offered comfort to those seeking divine intervention during these troubled times. While war ravaged Britain's landscape, another genius was quietly shaping our understanding of science and mathematics. Sir Isaac Newton began his groundbreaking work that would revolutionize physics and lay the foundation for modern scientific thought. Yet amidst all this progress and chaos, spirituality remained an integral part of people's lives. Sir Isaac Newton himself penned "Religio Medici, " delving into his personal beliefs while grappling with questions about faith and reason. Meanwhile, Prince Rupert sought refuge at Oxford University as he strategized against his adversaries. The city became a hub for intellectual discourse amidst political upheaval. Beyond Britain's borders, Richelieu savored Champagne while navigating treacherous diplomatic waters as France played its own role in European affairs. Across continents in Padua, Galileo demonstrated his revolutionary theories through meticulous observations from his observatory. His discoveries challenged long-held beliefs about celestial bodies and forever altered our perception of the universe. Back home in England once more, Charles I made a fateful decision to enter Hull—a move that would ultimately escalate tensions between him and Parliament further down an irreversible path towards civil war. As we reflect upon 1642 today, let us remember how this tumultuous year shaped not only British history but also laid the groundwork for scientific advancements that continue to shape our world centuries later.